One of the most expensive instruments I own was purchased a little more than a year ago -- an Ernie Ball Music Man StingRay Special HH - Vintage Tobacco with Roasted Maple Fingerboard, I got it from SweetWater after playing it at a Sam Ash in Hollywood. (When I returned to Ash to make the transaction, they had already sold it -- and that was fair enough, I didn't put anything down to hold it as i was still deciding).
For decades, I played vintage P-basses -- and my main runner has a 1958 body, 1974 neck, Alembic pick-ups, and a BadAss bridge -- it is a beautiful instrument that, with deadened strings, can work with a horn player perfectly (or that's my experience and opinion).
I am writing this out, because if you have that kind of cash to work with, and you are doing mostly punk and rock stuff, you may consider going into a vintage axe that you that you then dial-in to your tone with whatever pick-ups, bridge, strings, etc, that suits your style of playing and the music you are working on. I should add, though you already likely know this, vintage gear is heavy and can feel like a work out. I did a 3-hour session recently with the P, and when it was time to stop, I needed a massage and a sauna. Keep that in mind.
I shopped extensively, and my budget was only slightly less than yours. I think the EB MM Special with the roasted maple is not only gorgeous to look at, but it is versatile as F... in the tones I can get from her. I use it in a blues quartet -- that gets a bit old school rock and rolly (think 50s/60s rock), and another project that is strictly R&B with a leaning toward deep cut Rockabilly. I also use it for jazz standards and when I want to think I am Bootsy Collins and need to impress my girl
It is really a stellar instrument, and I hope you consider it as much as a vintage for what you looking to achieve.
I hope this was helpful - good luck!
For decades, I played vintage P-basses -- and my main runner has a 1958 body, 1974 neck, Alembic pick-ups, and a BadAss bridge -- it is a beautiful instrument that, with deadened strings, can work with a horn player perfectly (or that's my experience and opinion).
I am writing this out, because if you have that kind of cash to work with, and you are doing mostly punk and rock stuff, you may consider going into a vintage axe that you that you then dial-in to your tone with whatever pick-ups, bridge, strings, etc, that suits your style of playing and the music you are working on. I should add, though you already likely know this, vintage gear is heavy and can feel like a work out. I did a 3-hour session recently with the P, and when it was time to stop, I needed a massage and a sauna. Keep that in mind.
I shopped extensively, and my budget was only slightly less than yours. I think the EB MM Special with the roasted maple is not only gorgeous to look at, but it is versatile as F... in the tones I can get from her. I use it in a blues quartet -- that gets a bit old school rock and rolly (think 50s/60s rock), and another project that is strictly R&B with a leaning toward deep cut Rockabilly. I also use it for jazz standards and when I want to think I am Bootsy Collins and need to impress my girl
I hope this was helpful - good luck!
