+1 Big gulf between critics and the players. Leaves you scratching your head sometimes.
In a recent Jazztimes interview, Branford Marsalis had me rolling with his view of critics. He does great interviews!
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+1 Big gulf between critics and the players. Leaves you scratching your head sometimes.
I still have those issues.I still remember the one star review of Mr Gone and Weather Report's rebuttal the next month.![]()
Something I've heard over the years about '70s high intensity Fusion (MO, Lifetime, RTF, etc).
When played in a Rock arena (i.e. a "hockey rink"), that kinda virtuosity could get lost over a PA cranked for a Rock crowd.
In an over three thousand seat theater, a lot gets lost. While the sea change was happening in my listening tastes back then, I also realized instead of going to MSG and seeing musicians the size of ants, I could go downtown and be five feet from cats like Will Lee, Anthony Jackson, Ron Carter etc.
)OK, here's your Top-10.
I have a question for all you Bitches Brew guys...when I first got into Jazz Fusion with the usual suspects (Lifetime, MO, RTF, etc)...I went out & bought BB 'cause I reaad/heard it was the 1st & best Fusion album.
Well, was I disappointed.
Did you guys like it from the jump?
Years later, in the late '90s...I bought the Complete BB & fell in love with it.
So, as I often say on these boards, listening skills change over time...just 'cause you don't like something today...give it time & effort & there may be an awakening.
The BB LP set I bought in the '70s?
Framed & hanging on my wall.
Does Buddy Miles count as fusion?
Riis
OK, I'll admit it-
Loved '70s Fusion (way beyond whatever skill set I had)...did NOT like Jazz violin, though.
For that reason, I did not buy any Ponty albums in the day.
Recently, though, I picked up King Kong...Ponty's "Zappa" album. It's pretty damn bad, though, probably not as intense as his '70s-era Fusion albums.
MT was my 1st WR album...because I had just become a Downbeat subscriber &, IIRC, it was voted "Jazz Album of the Year" (our NEX had it. Very cool Record section at that time on a Naval Base)."Mysterious Traveller". My first WR album is still my favorite. The bass work is amazing but so is everything else. There's a Shorter/Zawinul duet that's so damned pretty... if you like that sort of thing. I figured out a long time ago that most bass centric projects don't hold my interest. Composition matters.
Agreed! He will make any bassist into a better player. The Four Corners album (his 1st with YJs) was a big step up, IMO, from their previous albums.Just about any Yellowjackets involving Will Kennedy. A finesse beast.
Sancious is another bad ass...the 4-tet with Sancious & Vinnie is one of Sting's best bands. Hit youtube & check them out on "Ain't No Sunshine".I bought David Sancious' album because of Jeff Berlin.
Bought this (also at the NEX) in the same time frame as Mysterious Traveller. Threw me for a 'Lopsy Lu'. WTH?!?!Stanley's brown album.
Kenny Gorelick!Jeff Lorber - Wizard Island. A clinic in not so smooth jazz. Danny Wilson/Dennis Bradford, killer pocket rhythm section.
Zappa is another one of those guys that took me a while...again, reading up on guys like this (Coltrane, Sun Ra) helped me get into their music.Zappa.
I bought David Sancious' album because of Jeff Berlin.
Whoa, wait... which David Sancious album? I had no idea!