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Best micro head? (10/2013 edition)

So many excellent choices these days!

Fwiw I'll tell you my choice that solves my needs:

I play everything from low volume jazz on double bass to loud blues festival stages.
So I have a variety of different cabs, and am often trying new cabs.

Therefore I can't just match one head to one cab and one bass -- they're all so different.

Rather, I need super flexibility. No matter what the gig/cab/bass, I need to dial in the right balance of cut-in-the-mix, and oomph-in-the-belly! Lol :^)

My main micro amp is the MarkBass F500 because it has 4 band EQ, with 2 sweepable mids.

Any head has adequate High and Low shelving;
but if I want more low "kick" with a small speaker, I don't actually want more Low shelving, cuz that brings in a bunch of ~ 60hz. Which limits your maximum volume, cuz those sub freqs challenge the limits of the driver extension.

When I want to feel my "lows" more, what I _really_ want is an octave above that, leaving the sub freqs alone.

On the F500 I can tune the Low Mid to 125hz -- perfect! (For some reason, the sweepable mid on my GenzBenz Shuttle 9.0 won't reach that oomph I look for.)

(Mind you, an outboard HighPassFilter such as the FDeck will allow you to use any Low Shelving for the same purpose; but that's another thing to wire up and keep batteried up.)

For the most headroom imaginable I sometimes bring my Carvin BX1500, which is a bigger 2 rack spaces -- but still light like some micros, and with all the EQ you could need.

Another micro with flexible EQ is the TC RH750. Just search the threads thoroughly about it.

Good luck!
 
Well I was checking out the MB 800 last night and it looks pretty good, the only thing I have a reservation about is trying to dial out the baked in tone it's supposed to have.

The group I'm playing with now does mostly old school 60's and 70's funk: Meters, P-Funk, etc...and we also are going in a slap pop direction on occasion. so really I just want something that's going to be versatile, that I'm not going to get frustrated because I can't get rid of that grindy tone when I want...
 
... I just want something that's going to be versatile, that I'm not going to get frustrated because I can't get rid of that grindy tone when I want...

Some picks for maximum EQ versatility:

- Markbass F500 (discontinued, but find-able, compact)
- Markbass SD1200 (bigger version of the same punchy sound, but uber powerful & flexible)

- TC RH750 (see power controversy threads, but it's pretty loud; lots of FX & gizmos)

- Carvin BX500 (pretty loud) or BX1500 (stupid loud, light-ish, but bulkier)

None of these are grindy, but the TC has overdrive to dial in.
 
I think my Gallien Krueger MB Fusion 500 is amazing. It really surprised the hell out of me, because I originally bought it just to use in rehearsal rooms (their varied selection of crap, blown, terrible sounding amps was driving me insane). I had tried lugging my Walkabout head... but I'm in the city, and I travel on the subway—and it was too much with all my other gear—so, enter the MB Fusion 500. It sounds INCREDIBLE! I'd have absolutely no problem using the GK in place of my Walkabout on gigs, and that's saying a lot, because I really, really, like my Walkabout.

Do yourself a favour, and check it out.

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+1

I own a GK MB Fusion 500 and think it's a great amp.
 
The puma gets some high praise, but for that price the OP can shop around and get 2 smokin heads. I have a Streamliner 900 which does the fat, warm, old school thing perfectly and a GK mb800 which does modern and sizzley very well. Depending on which bass I am using and the style of music I have it covered. Shop the TB classifieds and you can get 2 great heads for under 1200 bucks, plus you will have a backup!
 
I haven't tried most of the stuff out there, but I am still liking my MarkBass LMII a lot. You see the LMII's and LMII's used for sale in the TB classifieds all the time for good prices.

Agreed. I picked up a used LMIII a few months ago and thus far it has been the favorite of all the micro heads I have owned. That list includes Ampeg PF-350, GK MB200, GB Shuttle 3.0 and Carvin BX500.