Gorgblaugh the wastrel.Which leads us to...what is the best name in trolls? And of course, which is the best troll for metal? Well, here ya go people.
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M. M.![]()
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Gorgblaugh the wastrel.Which leads us to...what is the best name in trolls? And of course, which is the best troll for metal? Well, here ya go people.
![]()
M. M.![]()
Old School:
1-a) Acoustic Control 361
1-b) Double cab 371
1-c) Acoustic 320 w/ 408 cab.
1-d)Sunn 2000s: Double cab JBl
1-e) Sunn Coliseum: Double cab: 18" vega folded horn variety.
2) Double cab Ampeg S V T. Only one I ever used live blew up on me; been tube shy ever since.
New School: Too many new ones to list; Great time to be a bass player...
vintage Acoustic Control Corp. .....Acoustic-the Mother of All amps.

HATER!
Best Names in Bass Amplification:
Sears
HeathKit
Lafayette
CRATE!
The best amp is the one you like.![]()

I fully agree with your beer choice sir! I elect you an honourary Canadian..
Marc. a/k/a. Moosehead1966
I have a 64 but would also love a Heritage B-15 if I could swing it. Why wouldn't we want one of them?Wouldn't we all love to have a '64 Ampeg B15? (not the new re-issues)
Invalid Link Removedbut would you take that amp to a gig? Me neither.
I have a 64 but would also love a Heritage B-15 if I could swing it. Why wouldn't we want one of them?
Invalid Link Removed
Sucks for you that you wouldn't take one to a gig. I love mine on gigs.
Deleted my Troll food.
Oh, the Heritage is great, just not as valuable or desirable as an original, and no, I couldn't imagine taking a vintage and somewhat rare amp like that to a bar gig with questionable power, drunk ********, etc. Just like I don't take my expensive basses to the worst dive bars either. Now maybe to a real stage show where I have a bit more control, then I'd probably do it.
Oh, the Heritage is great, just not as valuable or desirable as an original, and no, I couldn't imagine taking a vintage and somewhat rare amp like that to a bar gig with questionable power, drunk ********, etc. Just like I don't take my expensive basses to the worst dive bars either. Now maybe to a real stage show where I have a bit more control, then I'd probably do it.
"Best" to me has to do with reliability, weight, and tone. It's a trade-off sometimes, though. I can't make my LMIII sound like an SVT, but the weight factor overides that since, after all, the head sounds good to me anyway. I can do a lot with the LMIII. And it's very reliable, so far. At least you hear less about failures than some others.
That's my opinion. (My carrots remark was just all in fun. No bad vibes intended).
Mesa Boogie
Genz Benz
Aguilar
Mark bass
Fender
Peavey
Further down the line
Ampeg
Behringer

What's the best beer?
What's the best football team?
Who's the best Bond?
Entirely subjective IMO.