- Aug 7, 2004
- 346
- 1
- Disclosures
- Authorised BFM and fEARful cab builder: New Zealand
You wuss!... and dork-avoidance, I'm doing these with grille cloth ....
Dare you to go.....bare!

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You wuss!... and dork-avoidance, I'm doing these with grille cloth ....

...
(somehow I missed the EA 310 vert).
Beyma drivers are primarily PA oriented. Most of them don't have the rising midrange response typical of musical instrument drivers, making a dedicated midrange driver an absolute necessity IMO.
In all three charts the rising response above 1kHz is typical of musical instrument drivers intended for use up to 2-2.5kHz.
I just lost track how many there were. One would have been sufficient to explain the point.all three ? there are four. So the last one not, right ?
Let me check if I've understood correctly... The response curve has actually got to rise, just staying flat up to 2,0 - 2,5k is no good ?
The problem with plots is that they're on-axis, while off-axis is what counts. At a moderate 30 degrees off-axis 12s will be down 6dB to 10dB from on-axis. If you start with a peak at 2.5kHz you end up with a good enough response off-axis to get by without a mid driver. Start with flat response to 2.5kHz on-axis and the off-axis will be too weak to get along without a mid driver IMO.Bill, uh, I'm almost embarrassed to labour my point.... but...
is flat up to 2.5k ok ? or does it have to rise ?