Thanks! I just reached out to Studio Slips for a quote.
Just got a no quote back from Studio Slips. Susan was very nice about it. To complex to build and price. Will quiz Mike for a cover.
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Thanks! I just reached out to Studio Slips for a quote.
You old smoothie, you....Best part was all the dancers. One gal came up close on one number, and we sort of danced together. Later she yelled out,"I love your bass playing". Nice moment for and old hobby pocket player...
Thanks but please call me You old Groovie You. LOL If nobody is shakin their hips or lettin their back bone slip or as our set list commands "Shake your money maker" Then notting happening.You old smoothie, you.
Okay, Groovy (say, didn't you guest star in an episode of Scooby-Doo?). Sounds like you did what you needed to do, in any case! Good work -- glad it was a good time and you got some deserved love!Thanks but please call me You old Groovie You. LOL If nobody is shakin their hips or lettin their back bone slip or as our set list commands "Shake your money maker" Then notting happening.
MAS-28 on order, I'm looking forward to it!
Anyone have the specs or know what the mid-boost switch on the B28 does for the mid response?
Nope. And I thought it was a treble boost (or cut, depending on how you look at it).
BTW, used the B28 again at rehearsal. What a great sounding, loud lil' cab!
Nope. And I thought it was a treble boost (or cut, depending on how you look at it).
BTW, used the B28 again at rehearsal. What a great sounding, loud lil' cab!
I don't know the specs but, talking with Mike last week, he mentioned that he was able to cross the top (mid/high) section of the Bodai over much lower than he could with the "standard" speakers (like the MAS 28 or my 112) and that that gave him a good deal more control on how he voiced/handled things like the mid-boost switch (which could very well be a mid-high boost switch).
Can't say without listening, myself, but, from what I gathered from the convo, I wouldn't be surprised if that was the case. I specifically asked Mike if the sound remained well-integrated/cohesive with the boost engaged.That’s what i hear. A broad but subtle boost across the upper mids and highs. I wonder if I’m hearing that correctly

"The best method is to simply play your new speaker at normal to high volume as frequently as possible."I’m curious about speaker break-in, something I rarely get to do ha!, and found this...
Speaker Break-in | Eminence Speaker