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Big upgrade in store for meee

impedence matching transformer was the answer I was looking for. Boom problem solved. Thanks guys. I got some real world experience by using YouTube and asking a techie of 35 years. Now I can finally use all the cabs I have available to me. Still might buy a 810, idk. But I am for sure using my 18s.
 
Probably can't share equipment, it's nov 25 opening for I prevail, we came as romans, etc

I mean hopefully if I can figure out this damn sound problem. I don't wanna go in there looking like a scrub

Nothing says "scrub" quite like an inexperienced and argumentative opening act with a giant stack of cheap, mismatched cabinets.

Want to look like a "pro"? Show up with your head and one high quality cabinet. Work with the sound guy to get a good mix. Cooperate with the other bands. Smile, be humble, learn from the experience, and have a fun time. :)
 
impedence matching transformer was the answer I was looking for. Boom problem solved. Thanks guys. I got some real world experience by using YouTube and asking a techie of 35 years. Now I can finally use all the cabs I have available to me. Still might buy a 810, idk. But I am for sure using my 18s.

Congratulations on finding a solution.

I look forward to you letting us know how well a matching transformer works for this application.
 
It actually is more about SPL than watts.
In one of my rehearsal rooms, my big rig resides. That is two aguilar GS212 cabs and a tonehammer 500 head.
This rig gets a lot louder than anything I ever need. And this rehearsal space is for the hardrock/metal practices.

I'm talking guitars so loud that the drummer has to mic the bassdrum and Hihat - and I plug my ears BEFORE even entering the place. This is the place where I turn the master all the way to twelve o'clock.
Turned past 2 o'clock I'm able to drown out the drummer.
This rig easily carries any venue with 400 people. And I mean I can dial in any sound I desire, turn up the bass to match FOH and have headroom to spare.

When I can't carry the room with that rig and there is insufficient PA support, the band will sound bad, no matter what.

The point I'm very slowly getting to is, that one needs proper cabs. Not a gazillion cheap'o ones plus a cheap head that puts out kilowatts, but one or two solid ones with a head that solidly delivers something around 500W. 8x10 or 4x12 with good SPL and you're set for anything short of Motörhead.

Once you run a head that has more than 350W output, it gets really hard increasing the volume by increasing the watts.
 
Okay but....buying 2 800w 810 just to put 320w through each cab ***because that is how the parallel works on the lh1000, IT IS NOT 500w to each cab at 4 ohm, it is at 2 ohm not 4 ohm*** sounds very dumb and a waste of money to me.. so can I add drivers to the existing 810 via another 410 of that same brand WITHOUT changing the Ohms or not...? ** I want to use all 1100 W in bridge mode to a single cabinet .Essentially can I make a 12x10 rated at 4 ohms , more drivers equals more volume correct? That's what I'm aiming for. If 410s (if the same efficiency) SLP are close to 90dbs and 810s range from 105db to 120db in my price range THEN 12x10 should be more than enough for what I need at 1200w correct?? Can I not just wire the 2 cabs together at 4 ohms and use liquid nails or whatever to keep it up top?
You gotta be trolling us, right?

To get your 1100w in bridge mode use two 8 ohm cabs rated at 550w-plus each or one 4 ohm cab rated at 1100w-plus. Want more speakers, more SPL? Use dual parallel mode and two 4ohm cabs rated at 225w-plus each for each channel — max power is 545w @ 2 ohms for each channel.

Cabs with these specifications are common.
 
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Can't DI or mic because they don't. Idk it's weird. Maybe they don't have the right equipment. All I know is there is gonna be at least 1500 people in a 4000sq/ft area more or less


Piere's Entertainment Center Fort Wayne? The band might want to dbl check with the venue.
Pretty sure it's not lack of the right equipment. It's a concert hall with major acts rolling through.

I can't see them not allowing a DI and requesting local openers to hall in a bunch of cabinets.
In fact, it's usually the other way around. Something you might want to look into.. Just saying.

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impedence matching transformer was the answer I was looking for. Boom problem solved. Thanks guys. I got some real world experience by using YouTube and asking a techie of 35 years. Now I can finally use all the cabs I have available to me. Still might buy a 810, idk. But I am for sure using my 18s.
Grasshopper, you are showing your inability to grasp the significance of your lack of understanding. You are also showing amazing arrogance for somebody with your lever of understanding and experience. This does not bode well for you and your gig, as you clearly have no idea what you are in for. Hopefully nobody hurts you the first time you open your mouth with such arrogance at the venue.

Nothing says "scrub" quite like an inexperienced and argumentative opening act with a giant stack of cheap, mismatched cabinets.

Want to look like a "pro"? Show up with your head and one high quality cabinet. Work with the sound guy to get a good mix. Cooperate with the other bands. Smile, be humble, learn from the experience, and have a fun time. :)
Agreed, but somehow I don't think THIS gig will end like a fairytale, eh?
 
Grasshopper, you are showing your inability to grasp the significance of your lack of understanding. You are also showing amazing arrogance for somebody with your lever of understanding and experience. This does not bode well for you and your gig, as you clearly have no idea what you are in for. Hopefully nobody hurts you the first time you open your mouth with such arrogance at the venue.

Agreed, but somehow I don't think THIS gig will end like a fairytale, eh?

Right?
 
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Beatles played Shea with 100 watt amps.
The PA system sounded like a telephone.

You may understand what you're asking, but the sound guy must be clueless.
How is it that the bass can't D.I. into the house system?
Why can't the sound monkey at the very least mic your cab?

I'm gonna guess it will be just a wee bit louder.

Hope it works out. You gotta post pics here of this setup.
100 Class A watts from a Vox. That's like 300 in dog watts. I don't imagine in the early '60's amplifiers were overrated in the wattage arms race, either.
 
You gotta be trolling us, right?

To get your 1100w in bridge mode use two 8 ohm cabs rated at 550w-plus each or one 4 ohm cab rated at 1100w-plus. Want more speakers, more SPL? Use dual parallel mode and two 4ohm cabs rated at 225w-plus each for each channel — max power is 545w @ 2 ohms for each channel.

Cabs with these specifications are common.

Wait wut....? ooohhhh that's what that means. So I can split 2 4 ohm cabs in parallel at 545w yup that will work. Thanks!
 
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I've decided on a peavey 810tvx, the behringer is gone so it's all peavey now. Woot. The 810 will be here Tuesday.

Guys I know it's fun to pick on the new kid. But bullying is real, and now I'm all out of beer, I understand that I'm dumb when it comes to this cab business. This is my first bass rig I've ever tried to put together. I don't even know what FOH means guys. All I know is I'm getting $250 that night to have some fun and party so I at least wanna sound good doing it.
 
For myself I am saddened by my lack of ability to pass on valuable information. Him feeling like he’s been thrown to the wolves is pitiful. All I can do now is wish him good fortune with his gig and I hope he comes back to tell of his experience.

Break a string @JWH91! :D

It'll be hard to break my .170 , it's the only string I use. The other 4 are just for show:bassist:
 
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