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Billy Joel songs

The inherent 'problem' with Billy Joel songs is that, overall, they are not 'party' records or dance grooves, although there are a few that qualify somewhat. His repertoire lends itself to cabaret-type showbiz, where the stories and emotions matter most, and perhaps most importantly, the audience is invested in listening to the words and getting into the stories. And where sad songs are okay. That's not a typical music gig for me. The music is quite theatrical and content-oriented. However, there's no doubt that rock is at the core of it.

He was never a rocker per se, never a jazz guy, never a crooner. 'Billy Joel' is self-contained genre unto itself for a single, idiosyncratic singer-songwriter. For me, more often than not, it was 'brilliant song, but what can you do to it besides listen?'
I agree. Vast catalogue, but which are the faster dance numbers that go over at gigs vs which are the SNL (sit & listen) ones?

Also, as pointed out, many of his songs are more complex than one might think. I try to maximize our ROI learning and performing songs. Another reason I'm not sold on learning "My Life" is the backup vocals, while not impossible, would likely take a lot of work, especially if one of our better harmonizers sings lead. Don't want to do all that work for a "meh" response, especially with a song that's already perceived as questionable.

Case in point: We spent a lot of time learning The Pretty Reckless' "Take Me Down" and even I thought it sounded good. Wasn't a fan at first but sure, one of us suggested it. We tossed it after 3 gigs. Never resonated with our group. IIRC, it actually cleared the dance floor 2x.
 
Unscientific poll between My Life and Only The Good Die Young... just asked a group of people...

Unanimous decision was My Life was the one they’d wanna hear.
Valuable to know, thank you. I suspect that's largely because they hear ML far less often than OTGDY.

Any chance of asking them which is more likely to get them up on the dance floor?

Trying to avoid "concert" setting in favor of getting people up out of their chairs.
 
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I played Movin’ Out and Only The Good Die Young with a cover band a few years ago and both were well received. I would expect My Life would be, too- but all those tunes depend heavily on keeping the arrangements tight and letting the vocal carry the song. Doug Stegmeyer’s lines are always fun to learn, too. He and Liberty Devitto are a criminally underrated rhythm section
 
I always thought 'The Stranger' would be fun to do.

When I saw him at Kaufmann Stadium in 2018, this was the one song I was disappointed not to see. The rest of the show was superb.

Perhaps I Go To Extremes would be worth considering as a tune to add if you want feet on the floor?

I also think Just the Way You Are would be a nice choice, but that is a different kind of dance (and may be better in a wedding setlist).
 
When I saw him at Kaufmann Stadium in 2018, this was the one song I was disappointed not to see. The rest of the show was superb.

Perhaps I Go To Extremes would be worth considering as a tune to add if you want feet on the floor?

I also think Just the Way You Are would be a nice choice, but that is a different kind of dance (and may be better in a wedding setlist).
Just The Way You Are is frequently requested at weddings and goes over great. Extremes, in my opinion, is an awful song. Now, I understand that "xxxx# can't be wrong" and all that. Still awful.
 
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Allentown is my choice.
Absolutely love the tune – saw him perform it live on The Nylon Curtain tour. But the lyrics are kind of heavy...sorta like Springsteen's "Born in the U.S.A." (1984) or The Police's "Every Breath You Take" (1983). Who listens to the words anyways? :smug:

IMHO, Joel's most danceable stuff comes from his '50s doo-wop-oriented material: "Tell Her About It," "Uptown Girl," "Keeping The Faith," et al.