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body wood does matter

Killed_by_Death

Snaggletooth
Inactive
Jan 2, 2015
24,890
61,257
14 Megameters from Groong Tehp
At the beginning of Summer I checked out this bass at a GC upstate:

33384863_10156656615884617_92284927202033664_n-jpg.jpg


Expecting a lot, but I was utterly disappointed. Switching around all the switches & twisting the knobs made no difference, it just sounded lifeless to me.
<edit> the knobs & switch made a difference, but not enough make it sound better than a average bass </edit>

Cut to a week & a half ago & I find this one in the same GC:


Totally different experience!
Every switch made a difference & it just sounded Alive.

Everything about the two is the same except for the body wood.
The honeyburst is Swamp Ash.
Originally I assumed the one in the first photo was Alder, but the specs on G&L's site say Okoume.

CLF Research L-2000

I thought Okoume was supposed to be a great wood for a good timbre :wideyed:

add: oops, it might have been Alder on the first one:

L-2000

I didn't realize they have two versions of the L-2000 now.
 
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Considering that this is an active bass, it's likely that the battery was close to dead for the other bass. Body wood does not affect how the electronics function.

If none of the switches and knobs are making a difference, the battery is dead or there is a wiring problem.

I once tried a used active bass where the knobs barely did anything. The tech opened it up and a bad solder job was creating a bridge on a pot.
 
The local Ibanez dealer used to be a G&L dealer & had a similar experience with L-2000 basses.
The owner said he was impressed with a L-2000 they had & thought to himself that he'd grab the next one that came in, but when it did come in it didn't sound as good as the previous one.
At the time there was no Tribute series, & their G&L inventory moved so slowly that they had to step out of being a G&L dealer.
 
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I believe that a bass is a product of the sum of it's parts. Each part plays a part in the end product. Body wood being one of those parts.

This. Times a zillion.

At one point in the game I owned half a dozen Jazz Basses in sunburst/rosewood combo, and every single one of them had a different personality to some extent. The one that stood out as being the best out of them all to my ear was the most beaten-up-looking example, and this is back in the days when these were considered just old basses, not vintage ones...when the vast majority of players - myself included - preferred their instruments looking new, or at least well-kept...

My $0.02 only...
 
At the beginning of Summer I checked out this bass at a GC upstate:

View attachment 3136314

Expecting a lot, but I was utterly disappointed. Switching around all the switches & twisting the knobs made no difference, it just sounded lifeless to me.

Cut to a week & a half ago & I find this one in the same GC:


Totally different experience!
Every switch made a difference & it just sounded Alive.

Everything about the two is the same except for the body wood.
The honeyburst is Swamp Ash.
Originally I assumed the one in the first photo was Alder, but the specs on G&L's site say Okoume.

CLF Research L-2000

I thought Okoume was supposed to be a great wood for a good timbre :wideyed:

add: oops, it might have been Alder on the first one:

L-2000

I didn't realized they have two versions of the L-2000 now.
Properly seasoned alder is good, very good ... the first bass you tested was okoume surely .. :)
 
How many samples do you need to qualify for an experiment?
There are probably two out there that are the exact opposite, one Ash that just sounds OK, & one Okoume that sounds fantastic.

To me, this does not strengthen the assertion put forth in the thread title, at least as far as "proving" that one type of wood is superior to another for tone, etc. Quite the converse, in fact.

Two identical Fenders with sequential serial numbers made of the same wood, hardware, etc.?

Quite likely one will sing for you more than the other.

In conclusion, everything...every variable imaginable (wood being among them) has an impact on overall sound and mojo of an instrument.