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body wood does matter

In my experience, wood effects the "feel" of the instrument more than the tone. I've played inexpensive basses made of "tone wood" that didn't resonate in my hands and seemed dead. Is that only the wood? Probably not. Bridges, nuts, frets, strings, etc. all play a part.

I've even gone the route of trying to upgrade a cheap bass. Put on great strings, a new bridge, new tuners, new pickups, new pots....and ya know what....it still felt like a cheap bass. Maybe much of that was mental, but it didn't "feel" premium.

Then I've bought basses that were not uber expensive, but they felt substantial, they resonated when you played them and let you feel the note.

I can't tell you that ash vs. alder vs. mahogany vs. whatever....makes any great difference tonally. I'd say it's more about the quality of the material used. Is the wood dry? Are there anomalies in the wood? Is it a heavy piece or a lightweight piece?

I'm currently waiting on a custom build to be completed. I had the pleasure of picking out each piece of wood. Feeling it, running my hands over it, and even tapping on it to see how resonate it is. Will the bass turn out nice? I have no idea, but it's going to have some premium ingredients.
 
In my experience, wood effects the "feel" of the instrument more than the tone. I've played inexpensive basses made of "tone wood" that didn't resonate in my hands and seemed dead. Is that only the wood? Probably not. Bridges, nuts, frets, strings, etc. all play a part.

Yes everything plays a part in the final outcome but whether an instrument feels "alive" or "dead" is in the primary structural components (neck and body). In the case of a wooden instrument they're wood.
 
What I've learned from this thread:
All basses and instruments sound alike. Nothing matters

What I've learned from my own personal experience:
The system including the body-wood and neck-wood (incl. fretboard) do affect the tone of the instruments I've had the pleasure of playing. Strings, p/ups, electronics and other components have as much influence on the tonality.

and then we have our amps and speaker cabinets thrown in for good measure.

I've also found a tonal difference playing at different times of the year. Dry forced-heat vs. hot and humid.
 
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It cannot amplify - in fact, any 'sound' or vibrations you feel from an unamplified bass - is wasted and won't get to the amplifier anyway.

Paul Reed Smith did a Ted Talk about how building an instrument is more about finding materials that don't suck the timbre out of the instrument.
It's an exercise in reducing the amount of subtractive qualities:




Concrete, aluminum, cast iron, glass and porcelain basses sound like basses.

I'd love to hear a bass guitar made of Titanium. It's my favorite metal & I'll bet it would have crazy long sustain. The density & composition of it could also be controlled, so that every one built sounds the same.
 
<edit> the knobs & switch made a difference, but not enough make it sound better than a average bass </edit>
what about knobs/switches on the 2nd bass? Were they also ho-hum?

I don't disagree with your observation, but since the conclusion relies on ineffable "magic", it is probably not true.

It is much more likely the differences were due to variances in the electronics, pickup windings, or neck joint.