I can see where the original poster is coming from but i don't totally agree that a boutique is better. Here are a few examples:
I purchase a Roscoe SKB 3005 brand new and had to send it back to Roscoe to have the neck pocket re-cut because it would not allow the bridge saddles to go any lower for a lower action. I was able to shim the neck and it worked until it could send it off to have Roscoe perform the work. Customer service was great and they did take care of me, but IMO this shouldn't happen on a $2,000+ dollar bass. Maybe the wood changed enough with climate changes or during shipping to make this happen...who knows for sure.
I purchased a MTD 535 brand new and there was a truss rod rattle that we couldn't get to go away. Mike was super nice and tried everything by email to get this resolved but we just couldn't. I also was surprised that the finish was a little rough on this bass. For $3,000+ on a bass I expected a perfect finish.
Part of the issue is probably I'm more critical on a boutique type bass than I am on a MIM Fender. While I've owned over a dozen Fenders I have never had to send one back for repair or have any repair work done on them for that matter. Some Fenders are definitely better than others though.
So I can agree to an extent on what is being said, but over the years I have found I prefer the simple sound of a Fender bass, they just feel right to me. I think there are a lot of production basses out there now that have excellent construction, fit and finish. I would love to try an Alleva Coppolo someday and that is just about the only boutique bass that interests me...now.
This is a good post. While one of the things that separates 'boutique' (meaning high price, small batch made basses) from the rest is consistency. However, consistency never means 100%. I had a HORRIBLE experience with a Fodera, had to send an FBass back due to truss rod problems, etc.
The good news is, as you post, you will be 'made right' in virtually all cases, but bad stuff can still happen.
The boutique guys that really seem to have it down (Sadowsky comes to mind) are those who us machines to do the grunt work, so things stay VERY consistent, and then put their time into final assembly, fretwork, etc. That's the 'sweet spot'. You mention Jimmy Coppolo's basses, and he is also moving to a CNC machine to do the rough stuff to increase consistency in the early stages of the process (I assume cutting body blanks, etc.), and will continue to hand finish and assemble the instruments.
This, IMO is the 'sweet spot' between efficiency of manufacturing on the one end, and 'hand made precision, quality, and attention to detail on the other.
IMO!
I love Foundations, they have super thin necks, and get a serious Jazz tone. Sometimes, I just love slapping around on a four.