. One of our teachers have suggested I play with the baroque bowing style with my French-style bow, by holding the bow overhand by the stick itself, not directly from the end of the frog.
This helps with playing softly and lightly, but offers no solution with the faster parts of the piece, primarily the Overture and Badinerie. I find it very difficult to play the faster quavers and semiquavers without them sounding messy, as if I were scrubbing the notes instead of playing them individually. The teacher has suggested that I play every other note in the bar (i.e. 1, 3, 5, 7), though I am wondering if anyone plays Baroque music often and has a French-style bow bowing technique which allows for playing of fast notes without them sounding messy? Or do most experienced players tend to play every other note as well?
Thanks!