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Breaking in flatwounds

You play them, that's all. The more you play the more they break in. After a long time they become dead and you replace them.

Forget about the Bass Player stories about barbecue sauce, bear grease, snot, etc. being used as conditioning agents.
 
I'm suprised you say replace them once they're dead. It seem that in a lot of post I've read, people prefer dead flats. That's why I was wondering how to get them deader, quicker, I'm thinking maybe I'm missing something. I have Fender MLs that I just put on my jazz a couple months ago, and I've heard that they take a long time to break in. Thanks for the suggestion.
 
I'm thinking maybe I'm missing something.

You're missing the fact that some people prefer really dead sounding strings and some prefer less dead sounding strings, others prefer bright sounding string, and still others can't make up their minds or rely on the opinions of others.

I like Thomastic flat wound strings and think they sound great after they've been played in for a couple gigs. Then they stay like that for years.

A lot of people agree with me. A lot of other people don't. It doesn't matter to me what others think, just what sounds good to me. The people I play for like my sound and don't tell me to change strings. They want the sound I get.

Just play the strings and see how you like the sound you get.
 
When I'm setting up a bass for 60s type sound..

I'll either play them in for a month or so with dirty hands.

OR

Leave them outside in the elements for a few weeks... sunlight.. rain.. snow etc.. all will help deaden faster...

Got this trick from an an antiques broker commonly needs to slowly tarnish brass to match other stuff.
 
You play them, that's all.

+1

I have Fender MLs that I just put on my jazz a couple months ago, and I've heard that they take a long time to break in.

If you've been playing them for a few month they should be pretty well broken in.

If you're looking for a diferent sound than you're getting then perhaps those strings aren't for you.

IMO/IME swapping out the standard cap for a 0.1 micro farad cap also helps to get a good vintage tone. Plus it's a super-cheap mod.
 
Thanks MN and PS. Ps, what exactlly does the capacitor do/how does it change the sound? I've never done any work on my bass, but I know a shop right up the street where I could get one, and I know how to solder.
 
Thanks MN and PS. Ps, what exactlly does the capacitor do/how does it change the sound? I've never done any work on my bass, but I know a shop right up the street where I could get one, and I know how to solder.

The capacitor, along with the potentiometer, determine the way in which your tone control works. A higher value capcitor will cut more of the highs and boost the bass a bit more when you roll back the tone control.

IIRC 0.1 microfarad caps were standard issue for vintage Fenders.
 
When I'm setting up a bass for 60s type sound..

I'll either play them in for a month or so with dirty hands.

OR

Leave them outside in the elements for a few weeks... sunlight.. rain.. snow etc.. all will help deaden faster...

Got this trick from an an antiques broker commonly needs to slowly tarnish brass to match other stuff.

So when do we start to see the "relic'd string" business take off?:)

Seriously, the best way to break in anything on your bass is by playing it. I love my TI flats, and they do sound the same every time now. Initially they were a little sticky but then once that wore off in a few days they have been great (they were great new too).
 
I'm suprised you say replace them once they're dead. It seem that in a lot of post I've read, people prefer dead flats. That's why I was wondering how to get them deader, quicker, I'm thinking maybe I'm missing something. I have Fender MLs that I just put on my jazz a couple months ago, and I've heard that they take a long time to break in. Thanks for the suggestion.

I've got Fender MLs on a jazz, and let me tell you it's worth the wait. You will be a very happy man in about a month.

Flats: play them well and often - change them never.
 
You're missing the fact that some people prefer really dead sounding strings and some prefer less dead sounding strings, others prefer bright sounding string, and still others can't make up their minds or rely on the opinions of others.

I like Thomastic flat wound strings and think they sound great after they've been played in for a couple gigs. Then they stay like that for years.

A lot of people agree with me. A lot of other people don't. It doesn't matter to me what others think, just what sounds good to me. The people I play for like my sound and don't tell me to change strings. They want the sound I get.

Just play the strings and see how you like the sound you get.

Amen Brother!

Just play the dagnabbin' things. They start to break-in nicely after 8-10 hours of play time. You'll waste more time dorking around with the homemade "remedies". Until then, roll off the tone knob a bit, and man-up to the task for playing them in.
 
Just a thought, wouldn't tuning them up to standard then right down to nothing, then back up, and repeating do the trick? I'm pretty sure it would, as it works with rounds (when you dont want it to!)

You're fatiguing the metal prematurely, IMO. You might have intonation issues down the line instead of strings that will sound great for years..

Play 'em!