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Brian Wilson presents Smile

bassbrad

Supporting Member
Aug 17, 2000
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At long last it's out, the much touted followup to Pet Sounds that almost never was. After hearing about this for years from record collectors and music fans I was curious to give it a spin. After some of the press lately I wanted to give it a listen. So today I slipped into the player, donned headphones and was transported to another place and time by the music. Okay so the lyrics are at times silly and nonsensical but the music is way beyond the times, even now some of the musical ideas are staggering. The bass playing is of course top notch as is all of the other musicians but they are all serving the musical ideas of Brian Wilson. When it was finished I was left with a profound & bittersweet mix of emotions. I was happy that the music is finally out and that I had experienced it. The music will challenge my musical ideas and sensibilities in the same ways as Messiaen, Mingus, Monk & Jaco. At almost the same time I was saddened to think of all the people that never made it to hear this music. I also wondered just how different we would all be hearing music if it had come out in 1967 or so? Get it, spin it, dig the Good Vibrations and :hyper:
 
Glad to know it's out.

I was up late last night and caught a bit of that show The Insider. I don't usually watch these trashy shows but they interviewed Brian. The interviewer was obviously milking the less fortunate aspects of Brian's life saying "The fans want to know" and other crap like that.

The interviewer asked Brian which Smile song was his favorite and Brian answered "Heros and Villains". When the interviewer asked why, Brian said "I like the melody".

Innocence is its own defense. I love this guy. :)
 
I read that it was the keyboard player in the band he's working with now, who did virtually all the work on putting it together - like a "Labour of Love" - because Brian's mind is shot to pieces.

So if you were cynical, you might say that ....really it's a pretty obscure band latching on to a big name to make money and further their careers, which would otherwise have remained obscure, as that type of music isn't the 'flavour of the month'? :hmm:
 
Bruce Lindfield said:
So if you were cynical, you might say that ....really it's a pretty obscure band latching on to a big name to make money and further their careers, which would otherwise have remained obscure, as that type of music isn't the 'flavour of the month'? :hmm:

Well, on The Insider's interview, Brian says that he was approached by his wife and his manager, who said they thought the world was ready to hear the Smile music, and Brian agreed. He also mentions that he feels a lot of anxiety because of the pressure to write and live up to his name. He's not exactly prolific these days.

So the album is coming out under some weird circumstances and it's not really a Beach Boys album, as it says "Brian Wilson Presents". His keyboard player is called "musical secretary", but the extent of his influence on the final product is hard to tell, as the album was already in a pretty advanced stage when the project was canned all those years ago.

Still, it'll probably be at least as good as Smiley Smile the album they actually released back then. That's one crazy record...
 
abark000 said:
He performed the song Heroes and Villians last night on Leno, I thought it was a cool song.



I saw that. He is the creepiest performer I have ever seen. I don't know what it was. Everytime they had a shot of him looking into the camera with his hands up like a raptor, horror filled me like no Beach Boy related horror has filled me before. Pretty cool in a way overdone sense.
 
Matt Till said:
I saw that. He is the creepiest performer I have ever seen. I don't know what it was. Everytime they had a shot of him looking into the camera with his hands up like a raptor, horror filled me like no Beach Boy related horror has filled me before. Pretty cool in a way overdone sense.

That got a laugh out of me.

I think the reason for the odd looks and hand raised was because he was counting/signaling the changes. I only heard half the song and I believe there were 8 changes.

Also he has had major problems with drugs and insanity during his life, so I wouldn't be surprised if he wasn't put together 100% correctly.
 
I think this was the album that finally drove him over the edge.

I caught him on Leno last night, too... staggering to think that one mind could recognize that all those disparate ideas constituted a single piece of music. Definitely blurred the line between genius and insanity.

Did anyone notice that he didn't play his piano at all during the performance?
 
Blackbird said:
Glad to know it's out.
I was up late last night and caught a bit of that show The Insider. I don't usually watch these trashy shows but they interviewed Brian. The interviewer was obviously milking the less fortunate aspects of Brian's life saying "The fans want to know" and other crap like that.

The interviewer asked Brian which Smile song was his favorite and Brian answered "Heros and Villains". When the interviewer asked why, Brian said "I like the melody".
I guess I just caught the rerun of this about 10 minutes ago. Pat O'Brian was the interviewer...he sez he's been a friend of Wilson's for the past 20 years; the parts I saw didn't appear like he was trying to milk Wilson's less fortunate aspects.
Anyway, in this show Wilson looked totally lucid & sharp...unlike the recent Bass Player interview.
 
I had the privilege of being at one of the shows for Smile's live debut here in London. It was a very interesting piece of work although parts of it were beyond weird... one of my colleagues brought me to see it as he knew I was into progressive music, and he went to FOUR of the shows (and apparently there were people who went to all of them).
 
I just got the disc & it's outstanding IMO. I'd heard much of the music (it's pretty much all been available piecemeal) but when you hear it all assembled, the segues, changes in production, varying tempos etc. it comes across as a real masterwork. It sounds like pop music, but goes way beyond. Sure some of it seems a bit silly or dated, but placed in it's historical context it was an honest effort to expand the horizons of pop music.

I was also impressed with the recording & production - not slavish recreations but very true in spirit to the original tracks. It's certainly more adventurous & satisfying than most of the stuff that gets released these days.... :rolleyes:
 

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