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EB Cobalt flatsHey all,
Looking for a brighter set of strings to throw on a Yamaha BB series 5 string P-style bass. I love literally everything about the LaBella Jamerson flats but they admittedly aren’t the tone needed for the pop punk styles (Green Day, Blink, Sum 41, etc.) I’ve been asked by a buddy to record on. I know rounds is generally the go to for the style but I’ve never really found a roundwound string I like as much as the Labellas. I think it’s the looser tension and draw weight but honestly unsure as I haven’t tried a bunch of strings as after I found the LaBellas early on I never changed from them. Figured with all the knowledge here someone could point me to something that will feel closest to the Labellas while being much brighter (doesn’t have to be rounds necessarily just bright enough for the pop punk style) before I spend a boatload of time and money trying to find a string I like without much in terms of guidance.
Thanks in advance and cheers!
I totally agree, but a low B of different make - the Roto one still has my vote in that case - will have to be sourced (the Fender 5-string set was discoed long ago).Try Fender flats. Yes, EB Cobalts are closest to rounds, but I find that the 9050 set gives me a good amount of bite, while still feeling flatty.
Oh, oopsI totally agree, but a low B of different make - the Roto one still has my vote in that case - will have to be sourced (the Fender 5-string set was discoed long ago).
Are they though?TI flats are the answer.
I love literally everything about the LaBella Jamerson flats but they admittedly aren’t the tone needed for the pop punk styles (...) I’ve never really found a roundwound string I like as much as the Labellas. I think it’s the looser tension (...) someone could point me to something that will feel closest to the Labellas while being much brighter
Adjust your e.q. and your technique. The DTBs can get plenty bright if that's what you tell them to do, and they are great strings for a wide variety of punk rock tones from beefy to twangy. Been using flats my whole playing life of over 35 years (including lots of DTBs), in all sorts of genres from jazz to classic rock to punk to metal to pure noise. No bandmate, producer, or engineer (live or studio) has ever said jack $#! negative about my strings. That feel is that feel, and it's what makes the strings so great to play on. You don't need to sacrifice it in order to get different home base tones that you can get to simply by experimenting with e.q. and technique.