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budget replacment for darkglass pedals.(under 200)

My experimenting with it was such that while I didn't think it did a perfect impression, it was close enough for that to be a reasonable answer.

Agreed. The SA and the DG BxK pedals don't make my list of favorites, but they are unique, and good at what they do. I also felt the SA did a nice job of presenting a DG sound (I actually liked it more than the B7K). If you want a pedal that does the DG but isn't a DG, then it would be a viable option, in my mind.
 
a joyo orange juice is a pretty good affordable replacement. this pedal costs about $50 and it sounds killer on bass. this demo showcase the outstanding sound quality of this pedal.



I was thinking of getting one myself along with one of their chorus pedals. I am intrigue on what joyo has to offer.


I have a joyo in the classifieds
 
The Tech21 VT Bass can get to darkglass-ish tones when you put the character knob past noon.

I never got mine to sound anything resembling my B3K. Or ever heard one. I was never happy with the VT Bass, and tried desperately to get on with it from all the (reasonable) hype. I liked the B3K as soon as I tried it.

The B3K is the antithesis of the SVT tone, imo. Closer to a bright Marshall. As for the ODB-3, I've gotten cool sounds, but I also think it sounds unlike the B3K(less metallic by far)
 
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With the AfterShock can you have say 3 tube OD's ready to go (1 on each switch) or do you have to have 1 tube, 1 distortion and 1 fuzz?

You have to use the app, but yes you can save presets to the different switch positions that don't correspond to the labels. Three different tube OD emulation presets would be possible.
 
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+1 more for the SA Aftershock. I haven't found a sound I couldn't get out of it. And as a bonus when some other dirt strikes your fancy (and it will) you can twiddle knobs and app settings until your heat's content.

On the other hand, I couldn't get it to sound close to any of my favourite dirt sounds and found it frustrating to program so sold it on very quickly.
 
I never got mine to sound anything resembling my B3K. Or ever heard one. I was never happy with the VT Bass, and tried desperately to get on with it from all the (reasonable) hype. I liked the B3K as soon as I tried it.

The B3K is the antithesis of the SVT tone, imo. Closer to a bright Marshall. As for the ODB-3, I've gotten cool sounds, but I also think it sounds unlike the B3K(less metallic by far)
I found you had to adjust your playing style a little bit, I was able to get that signature bite with digging in with a pick at 45 degrees from the string, scraping it while picking. With the character knob past noon, it turns from the B15 to more of a modern, alt-rock/metal sounding tone.
 
I've never used a darkglass, but from what I've heard, I think I can get pretty close (at least a bloody good distortion tone) going into a odb-3 with gain at 8-8:30 and then into my joyo ultimate drive which you set with the amount of gain you are wanting. I am recording in a week so will get clips.
I also have a vtbass at the end of my chain which helps a lot but it does still sound good without it.
 
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