It is a very beautiful finish, and I bet it sounds killer too.
A few questions though, if you don't mind.
1, how come he stopped the blocks at the 19th? Is it because he didn't think they'd look right as skinny as they'd be at the 21st and 24th?
2, I've noticed, on his basses, he puts the bridge slightly more forward then most, having the saddles pulled back further than average to get intonation set, is there a reason for that, or am I just seeing things?
It reallllly sounds good!
To answer your questions the inlay guys I use said thats all they offer, and it does have to do with the balance of the block shapes.......We install the bridge to be in the middle of the travel allowed by the saddles.....that way over the years as the instrument shrinks and expands there wont be an issue with intonation.

