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Cab size/room size

Can a cab be too much for a room? My practice space is a former bedroom, roughly 12 feet by 15 feet. My current practice cab is a Barefaced Super Compact 1x12, 600 w. I'm using a Quilter Interbass to drive it, 33 w. at 8 ohm, and it's plenty loud enough for me. But the acoustic results are not good. I've experimented with a couple of bass traps, and they help some, but I'm starting to wonder if a smaller cab would be better.

Any suggestions?
 
Room modes are a function of the room, not the cab. A different cab in the same position will behave the same way.

Experiment with where in the room your cab is.

THIS. Take that same setup to different rooms, you might never hear that. Try different spots and elevations around your space. More often than not, bass bins may couple to the floor for a noticeable increase in the muddy end.

Welcome to the Bass vs. Room Fight. This is why touring sound engineers get PAID.
 
but I'm starting to wonder if a smaller cab would be better.
I think we can safely say that the proportional difference between different sized speakers compared to room size will be minimal. So in that respect one wouldn't expect a smaller cab to be intrinsically better. A different cab, larger, smaller or even the same size might be an improvement, or it might be worse. I think it would be very hard to predict whether any given cab would be better or worse.
 
Can a cab be too much for a room? My practice space is a former bedroom, roughly 12 feet by 15 feet. My current practice cab is a Barefaced Super Compact 1x12, 600 w. I'm using a Quilter Interbass to drive it, 33 w. at 8 ohm, and it's plenty loud enough for me. But the acoustic results are not good. I've experimented with a couple of bass traps, and they help some, but I'm starting to wonder if a smaller cab would be better.

Any suggestions?
If a 1x12 is too much for a room, you should look for a bigger room…
 
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Can a cab be too much for a room? My practice space is a former bedroom, roughly 12 feet by 15 feet. My current practice cab is a Barefaced Super Compact 1x12, 600 w. I'm using a Quilter Interbass to drive it, 33 w. at 8 ohm, and it's plenty loud enough for me. But the acoustic results are not good. I've experimented with a couple of bass traps, and they help some, but I'm starting to wonder if a smaller cab would be better.

Any suggestions?

I'm not sure about the interior decorating aspects of your 112 cab, but by lowering your amp and or bass volume, and a different EQ setting would work wonders.
 
Definitely manage your low end -as little as you can get away with. Is this a band scenario or just you?

for what its worth, I have rehearsed with plenty of bands in spaces about that size and never had significant problems, I just matched the kit (particularly kick drum) and didn’t look for more that being able to hear myself.
 
Can a cab be too much for a room? My practice space is a former bedroom, roughly 12 feet by 15 feet. My current practice cab is a Barefaced Super Compact 1x12, 600 w. I'm using a Quilter Interbass to drive it, 33 w. at 8 ohm, and it's plenty loud enough for me. But the acoustic results are not good. I've experimented with a couple of bass traps, and they help some, but I'm starting to wonder if a smaller cab would be better.

Any suggestions?

Your cab is fine. I have a Barefaced Super Twin, which is twice you're cab's output, and my home studio is about the same size. Zero issues on sound, albeit can't be turned up super loud because it buzzes the wall joists! If the cab sounds too loud, just turn down the volume to taste.

However -- I have sound treated my studio with nine 2x4' wall sound panels, three more of same floating above the playing area and suspended from the ceiling, and four towers of floor-to-ceiling bass traps (2 are in permanent position, 2 others are used as needed). The Super Twin also sits atop an Auralex Gramma Pad to avoid buzzing the floating wood laminate floor.

Good sound is really about the room first and how well you have addressed sound reflections etc., placement of the instrument's cab, how the instrument is played, and then the instrument setup and amplification system. Gear quality also has a role, but I believe it's way down on the list if you haven't addressed the first issues. Good luck!

Barefaced Super Twin.jpg


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Most likely it is room modes that are the problem. Fuzzies on the walls won't help, and as you noted, trapping only helps some. If things are boomy and/or muddy, you can always use a HPF to lessen the low end. And acoustically speaking, rooms (modes) are like bells, the harder you hit them, the louder they ring. If your room is rectangular, plug the dimensions in to this: amroc - THE Room Mode Calculator