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Cabs Are Key!

Many years ago (like in the 80's) when I was touring with a really loud funk/horn band I used a Mesa Boogie 1516. An interesting cab that I wish I still had. It was large cab, about the size of an 8x10, and had one 15" one 10" and two 6" speakers with a 1" horn. I powered it with an SWR studio 220 (220 watts) and that sucker was plenty loud enough for any room I played and sounded down right luscious.
 
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I can't remember the last time I played somewhere without FOH support though. Probably in the '90s as a teenager.

My last decent sized gig without PA support was also in the 90's, thought I was a bit past being a teenager. I did play a church gig about 8 years ago where we played in the auditorium for services (with a nice PA), and in the lobby between services - no PA for the bass. That was, however, a rather low volume affair - a single 112 cabinet was more than enough.
 
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Depends....
on your definition of good sound and 'dealing' with any scenario.
Context is everything and thats before we discussed your playing style, technique etc etc.
Yes, context, style of play, technique, genre of music are all factors. However, under those or other factors, why/when is it necessary? I mean, really “Necessary” vs “Desirable”?
 
100w Marshall JCM800 into 2 1x10 Ampeg cabs provide all the stage volume I need. DI >PA does the rest.
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In my teens I played thru 18's. In my twenties I played thru 15's. In my thirties I played thru 12's. Today I play thru 5's and I am amazed that they keep up even without FOH support. After years of playing thru everything you need a minimum of 200 watts to be heard in a band setting. The more watts above 200 you have the cleaner and more headroom you have for your sound.

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Seriously though, where do you really see amperage higher than 200 become full-on necessary?
Even at the last big concert (311) that I went to, I’m thinking, “everything Peanut is playing into is tapped into FOH so, why worry about it?”.

My drummer is loud, so my guitarist is loud. I run with 200 watts (tube pre / power) through a super efficient 215 or 412 (pic related). During a standard practice, on the OD channel I hit about 12 o'clock, but on the clean channel, I'm at like 2-3 o'clock. Not dimed, but if my amp was 300 I'd have a bit more headroom. The scene we play in doesn't always have sound at show, beyond PAs. So that kinda firepower is needed, based on my drummer's sound floor.

But yea, cabs make a WORLD of difference.

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My drummer is loud, so my guitarist is loud. I run with 200 watts (tube pre / power) through a super efficient 215 or 412 (pic related). During a standard practice, on the OD channel I hit about 12 o'clock, but on the clean channel, I'm at like 2-3 o'clock. Not dimed, but if my amp was 300 I'd have a bit more headroom. The scene we play in doesn't always have sound at show, beyond PAs. So that kinda firepower is needed, based on my drummer's sound floor.

But yea, cabs make a WORLD of difference.

x1fXIr7b7lEqPAzbM6232IoAb8sNazQBM5zJwxqfGOAOrBWQiksiPcsI_xq0ATP_0Tahbx4NaCkBlIcHtHr52LbXxm6OtD2RSxdQlq5aYeRZNEgYBGBs5VrUWTPMLwfeOvjWQS6bWU-pwKhV4RDzJbVC_HUhW8KTkshleabprEl3EF9e_9JNbPJxbMYpu54vplx0kDKX-L3HBXMkb121WUu69mTcgscHBMo5CJlITxEbTvNML3EO6zi4O0zXxLSZiaNvl0uTsmF2Ra-cRgPPP2eeziKieqpG_4BrMBb4t3WAGB8iRzaqhYko__ymUxYESr5S4I63LAok67MwU7ckdcmB2jV8WevAiUrkPGE-tpdHXGdFFnhodJUh_03zidjQFV4h69-shJ1Z-bleA9ZbbzU4GiZe3ZfHDKi_EI1ULPU_vHgPWAaaUJKsASniJ30FYgpsc6j2B80rPvTOFPo-MHQgWYkmGSRaGyQbThZPUullrcNPjSs6yD9AGyRFkry2HKMaEIaaxbb6slClDGr8j06hBYJgn2k0KsBjk9mwFkl82A-X62SQN7ri5JGfYrYkb77n06FvN3YZ_cMybOak6eYiUe5rjkTEp0Hqhw7cSSYD4c3yoOPKE_Oh3uh179OKHEEAnv0J1W9n1bsDMnvDCTWKwAC78yMDR2WpRu_T4dcwn0OzYUJf1s1myYpessBIWlJa3xxFpmQKifAgLjj31Y4RCXOvtl5iNPTK-51BTxiZM5tAv-7LDg5jjVo=w844-h1019-no
Aptly named cabs.
 
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