• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Cali76 CBC confessions

"The low strings come back to life, adopting an extra weightiness, power and dynamic response, while the higher strings are strictly controlled, preventing slapped and popped notes from leaping out of the mix."

Compresses higher frequencies more, according to the manual.

Strings, not frequencies. The lower strings will have less higher frequencies, so will compress less. The higher strings have more higher frequencies, so will compress more.
 
  • Like
Reactions: Fuzzbass
The manual is flipping between the use of string and frequency. Same same.

And why am I quoting the manual? To stop folks posting stuff that's not accurate.
It’s not the same, because the manual is talking about how much 2 separate sounds get compressed, based on which note is played. The discussion is about how much different frequencies in a single note gets compressed.
 
Screw it, I'm getting a Cali76 TX
Or do the actual dual band thing. I use a KMA Tyler to split lows and highs to two different compressors. Heavily compressed and consistent low end, and lightly compressed and dynamic high end.

Im also waiting on a Source Audio Ultrawave that should hopefully do the same in a smaller and cheaper package.
 
  • Like
Reactions: Fuzzbass
Or do the actual dual band thing. I use a KMA Tyler to split lows and highs to two different compressors. Heavily compressed and consistent low end, and lightly compressed and dynamic high end.

Im also waiting on a Source Audio Ultrawave that should hopefully do the same in a smaller and cheaper package.

I just don't need the dual band compression flexibility.
 
  • Like
Reactions: Derek Williams
Lots of people getting confused about the sidechain HPF vs. a multi-band compressor (or a narrow band compressor).

*It DOES* compress the lows with the rest of the signal. It's just that the lows don't trigger the compression. As someone who uses this with plenty of present low end in my signal, it works as advertised.
 
I really like it hitting the front end of the Noble hard. Or maybe I’m falling into the trap of louder always sounds better.

I use mine in front of tube preamps too...mostly my Monique, but also my Kern IP-777. I really like juicing the output on the Cali...find where unity is then go a bit further...you can find a place where it feels like 'feedback' in the way that when you're in front of a loud amp you can get it to sustain infinitely, and it's huge.

We have some song transitions in our live set which hold and swell into the next song and the Cali does it perfectly. I also use a John K. built LA-2A clone in my signal chain after the CB. No tube in that, but the circuit is correct and I've got plenty of tubes in my preamps. It ends up with the classic 1176->LA2A studio signal chain. There's some low-mid punch and richness that the LA2A circuit does.