"Bad choice" by what criteria? ...To carry the conversation further, isn't is more risky to use a glue on seams that is too strong rather than one that is too weak?
I make all of the above comments with an aim toward improved understanding. If my impressions are incorrect, please enlighten.
I'm not a luthier and I don't play one on TV.

When it comes to luthiery, I defer to the experts. It is those experts who have identified bottled hide glue as a relatively "bad choice." If you want to know the criteria used to make that judgment, you'd have to ask them.
My understanding is that you are correct. One doesn't want to use a glue that is too strong. Granulated hide glue, as used by and as recommended by professionals, is not too strong. It is THE glue of choice and has been for centuries. When plates move with changes in temperature and humidity or when some insult to the instrument occurs, you want the seam to pop rather than have the top crack. Granulated hide glue, as I understand, is the optimum choice.
I think we all would prefer not to have to deal with this problem. But having seams glued by the professionals, who presumably use granulated hide glue, has not guaranteed that the problem the problem is solved. This has been my experience with the two basses I've owned. I accept that the seams will open sometimes given the variation in environmental conditions across performance and rehearsal venues. Four years without a pop is a good average for me. I do try my best to be gentle with the bass and allow it to adapt slowly to environmental changes but, again, no guarantees.
No, there are no guarantees. Still, it seems to make sense to make optimal choices so as to minimize problems. The fact that seams open even when professionally glued doesn't necessarily reflect a failure. It often reflects the planned occurrence of the glue giving way before damage occurs. I think of it as a safety valve. You want it to blow whenever there's real danger but
only when there's real danger. The experts tell us that the best choice is granulated hide glue, while bottled hide glue is decidedly non-optimal. Your experience, valid as it is, represents a miniscule sample compared to the collective experience of the luthiers we know and trust. When those experts recommend granulated hide glue over bottled, I think it's wise to listen.
I've seen Jake give the go-ahead to bottled hide glue in a pinch. That makes practical sense. Still, I'm quite sure that I know which he'd tell you is greatly preferred.