Unless you can rent a bigger rig for the gig, I don't see much that can be done except crank the mids, drop the lows, and hope for the best.
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Sounds like the drummer will have to take it down till you get a bigger amp you probably won't want to be too loud in a restaurant anyway. remember you are a group and have to work together to get the best soundAt the rehearsals it makes his job, but when the drummer get louder, the bass can't be heard. I think the only problem to us is the drummer
And do you know the brand? Is it good? And the sound? I'm interested in more volume, but also a good sound!!I would expect a whole lot more bass from that if it's working properly.
Sorry but I cannot agree with you. There are some musics that is not necessarily to 'play hard', and the drummers some times just don't understand that. Because the amps have adjustable volume, the drummer have to put in his mind there are various intensities how to play.i would never expect a drummer to 'bring it down'. i play drums also, and you cannot play the same when switching intensity. they need to play it the way they learned it. i do not think it is fair to ask a player to change because other members equipment is substandard for the job. more/bigger speakers is the key here.
i said they need to play it the way they learned it. for example i would not expect a heavy metal song to be played with the intensity of a soft ballad, or a ballad to played with thrashing loud drums.Sorry but I cannot agree with you. There are some musics that is not necessarily to 'play hard', and the drummers some times just don't understand that. Because the amps have adjustable volume, the drummer have to put in his mind there are various intensities how to play.
The problem is right that!! The drummer just listen heavy metal, but we just play rock/blues/funk..i said they need to play it the way they learned it. for example i would not expect a heavy metal song to be played with the intensity of a soft ballad, or a ballad to played with thrashing loud drums.
I use mine often with a trio (no drums)---- amplified uke, alto sax, EUB.
When the room ends up being larger than I thought it would be--- I use the xlr out to a channel in the pa..
Played an open mike night in NYC and the supplied backline was a studio 110. The guy running the board had control over the volume of everything else except electric guit. The drummers in the bands that used drums used those "stiff brushes" called blastix.