I had it in mind to change to flatwound chromes on my Strat & my G&L, & just leave them on there for the foreseeable future.
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It's right up there with using the term Tremolo to describe the arm that provides a Vibrato effect with a floating bridge.
Some guitarists would fight you to the death that Fender used the correct terminology.
I've gotten into arguments with guitarists about the changing strings myth. They usually get pissy when I ask them to explain how rust and/or dirt is harder on metal fret wire than the metal of the strings.
If rust were harder than steel, we would have just never painted our automobiles.
Well gennerally speaking guitarist like their strings newish and dirt-rust free.It's right up there with using the term Tremolo to describe the arm that provides a Vibrato effect with a floating bridge.
Some guitarists would fight you to the death that Fender used the correct terminology.
I've gotten into arguments with guitarists about the changing strings myth. They usually get pissy when I ask them to explain how rust and/or dirt is harder on metal fret wire than the metal of the strings.
If rust were harder than steel, we would have just never painted our automobiles.
What is the best kind of dirt and rust for Metal?
I think excessive finger pressure along with bending creates premature fret wear..
For those not familier with what flats sound like on a solid body, listen to 'Slacktone'.
I am not familiar, but I will be soon.
These guys?