• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Caprice Price Jump??

Ive Been thinking about getting a new P style bass and have been researching the EBMM Caprice and Cutlass models, I checked the price on them today and they jumped up like $400 in price since last week!! MAP went from $1700 to $2200-$2300! Is that insane? Am I missing something?
 
I've had two Cutlasses, and - not gonna lie - I wish I'd hung on to them and would totally get another. They are really great P-style basses which don't feel clone-ish or derivative (I mean, beyond being P-style basses). I feel like they are worth the $1650 price point, right in line with the standard StingRay 4H.

That said, a $500 price hike just seems kinda crazy to me. EBMM offers wonderfully consistent instruments for a factory production operation, but for $2200+ I feel like we're getting into that true handmade custom-shop zone. Especially given that the options for wood/color remain super limited, and both models have been readily available at their original prices, I'm definitely surprised.

But the market will let em know whether it was the right call. They are definitely quality basses!
 
I paid $850 for my Stingray with a case back in 1987. Adjusted for inflation that puts it at $1,900 in 2018 dollars A new one runs $2,000, so they've not raised the price much in 30 years, considering inflation. We're talking different instruments, but maybe Music Man needed a price increase to keep their employees and to stay where they are. California, especially on the coast, is a very expensive place to live and run a business from.
 
I paid $850 for my Stingray with a case back in 1987. Adjusted for inflation that puts it at $1,900 in 2018 dollars A new one runs $2,000, so they've not raised the price much in 30 years, considering inflation. We're talking different instruments, but maybe Music Man needed a price increase to keep their employees and to stay where they are. California, especially on the coast, is a very expensive place to live and run a business from.
That is probably exactly correct since Calif has gone nuts with taxes, regulations, etc.....
You just
nail.jpg




BTW: There are LOTS of great P-basses out there without jumping into that price range.
 
That is probably exactly correct since Calif has gone nuts with taxes, regulations, etc.....
You just
View attachment 2938781



BTW: There are LOTS of great P-basses out there without jumping into that price range.
True but the Caprice bring a lot more to the table than a P bass does. And the Cutlass while it might look like a P has its own sound going on. It’s like crossing a P with passive Stingray.
 
  • Like
Reactions: maplenecked
So thats why mine sold on reverb Friday.... I have had a white caprice on reverb at $1399 Shipped for a few months, Im aware the price was high. I was rather fence sitting if I was going to sell it, always post it with a jacked up price when doing so. To my surprise it sold after 3 months listed. Apparently the $1399 didnt seem bad after the price jump.
 
So the new question is cap/cut vs metro/moollon?

That's gotta make the folks on the floor handling the wood, machines, and hardware say "dam, we're pretty freaking good at this and ought to be taking home at least as much as a manager at McDonald's."

But also make mgmt say "guys, you gotta make them faster so we can balance what people think an instrument with EBMM on the head should cost with how much we have to pay in overhead, taxes, insurances, materials, and your wages. The instruments just don't have to be even half as well made as you're making them. We're almost like BMW in that the buyers only care about the name and the electronics and will keep buying if the paint is shiny and the price is right"
 
Last edited:
So the new question is cap/cut vs metro/moollon?

That's gotta make the folks on the floor handling the wood, machines, and hardware say "dam, we're pretty freaking good at this and ought to be taking home at least as much as a manager at McDonald's."

But also make mgmt say "guys, you gotta make them faster so we can balance what people think an instrument with EBMM on the head should cost with how much we have to pay in overhead, taxes, insurances, materials, and your wages. The instruments just don't have to be even half as well made as you're making them. We're almost like BMW in that the buyers only care about the name and the electronics and will keep buying if the paint is shiny and the price is right"

Somehow, I don't ever see Sterling Ball willingly let quality slip like that...
 
Totally agree that EBMM's consistency is rock solid and not likely to change.

Just hard to ignore that they've priced a new Cutlass into a range where it's competing w/a new Sadowsky Metro. Wonder whether the expansion of the Fender American Original line impacted this move. I def think these basses are better than the Am Pro series, which were at the same price point.

It is what it is. Kinda bummed as I was actively planning for one of those to be my next bass, but all good.
 
Didn't all of the EBMM's jump in price? I took too long to pull the trigger on 4HH.
Copper pennies aren't bleeding as much for me these days. :D

Edit. Maybe not. The neck-thru's did jump a couple hundred.
 
I expected an increase when the new 2018 Stingrays came out (stainless frets, roasted wood, 18v preamps probably cost more), but $500 more for a Caprice seems like they just priced the model out of competition. Maybe they don't want to sell them anymore.

Edit to ask, anyone know if they released pricing on the 2018 Stingrays yet? I'm guessing higher than a Caprice.