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Double Bass Carbon fibre double basses

Silversorcerer said:
On the other hand, the inexpensive availability of good recording equipment has made it easier to record any performance. Not that what we end up finding are the better ones. My point is that if Dave Holland wanted to distribute a recording of his performances he would not need the expensive backing of the recording industries to make that available.

All he would need is less than $1000 worth of recording gear and a web site. When I can find Paul Rodgers avant garde improv performances on CD and get them sent across the big pond or when I can get Mark Deutsch playing the Bazantar, or just about any self-promoting folk singer on CD, it is not the "system" that makes Dave Holland unavailable, it is Dave Holland.

Well of course I have scoured the net and even asked Dave Holland himself the question at Jazz Corner, where he used to host a forum ...

But I think this is not just down to him - as the piece I was talking about was written by Marc Anthony Turnage who presumably has contractual obligations about recordings...?

Also it required a chamber orchestra and a Jazz fusion electric ensemble - so it's not a simple project to record...:hmm:

I'm sure it will turn up eventually - Turnage is releasing recordings to a regular, if slow slow pace/schedule and I think, wants to group his pieces/compositions together in suitable company, to fill a CD?

My point is that if he involved attractive young women playing shiny instruments he might get more attention and a bigger budget for recordings/promotion....:eyebrow:
 
Please excuse me, Paul Warburton et al. to have crossed the limits of decent TB behaviour by posting what can easily be interpreted as free advertisement in post 33. Seriously!

Best to state right away that I have no connection to the product or the producer whatsoever, apart from the mail I quoted (and yes,I admit, much too elaborately). I just got carried away. Sorry.

However, I can see my post certainly had some spin-off - unfortunately very little has to do with the CF topic, so therefore I will encourage a couple of you to open a new thread to continue the discussion about musical taste, cheap recording equipment aso. there. Not that I don't find your points of view interesting, but please stick to CF in this thread.

Several of you, especially Bruce Lindfield, have displayed a rather negative attitude towards CF basses. Which I find interesting and indeed noteworthy. Probably 75% of all bassists or more share your views - just by instinct, since very few have ever seen, heard or played one. So my question to you will be:

PROVIDED one day a CF bass will be able to deliver a satisfactory sound for classical music, what would you like it to look like? Obviously a snow white finish would stick out a bit. Do you imagine it 'camouflaged' as a wooden bass, or just plain graphite black? other suggestions?

Same question for jazz bands.
 
Silversorcerer said:
The nature of forests is cyclical. If we cut them all down at once we will die from lack of oxygen and then we won't be worried about such foolishness as music. Even if we perished this way, it is likely that the forests would return in less than 1000 yrs. They don't need much O2 to get started.
…
Sustainability is a separate issue. Even if we use up all the trees, eventually they will grow back, and much sooner than any fossil fuel could be naturally produced I think most players and makers would agree that walnut, mahogany, or other woods would be better substitutes than CF or other material, unless you like Ovations.
…
There is quite a bit of cheap energy used in the production of CF. It is not just that it involves petroleum derivitives, it requires engergy beyond what is received from the sun (the only new engery that comes to earth).
…
Any tree species can be responsibly harvested and most can be plantation grown. Pernambucco is related to the Black Locust and Honey Locust trees. It is actually a remnant tree from a former colder forest than the one where is currently persists. Given that, it would be a more difficult tree to grow. It doesn't even belong where it grows, if you follow me. If one were to plant the seeds in a suitable environment, it would take only as long as one cycle to maturity to establish a sustainable plantation. I believe there are already some being grown this way in Brazil. Wild harvesting could be abandoned. Spruce is a short lived tree relatively,- less than 500 yrs. It would be easy to grow these in a plantation (like Christmas tree farms in Pennsylvania, etc.) Some American furniture companies have invested in their own forests and limit harvesting. It could easily be done by musical instrument makers.

Not tons of disagreement except I don’t think you can separate the sustainability aspect. I think we should use our resources, including wood and petro-chems, in a way that extends them for as long as possible. I bet if all musicians henceforth bought only CF instruments, it wouldn't appreciably affect the rate at which we use oil, so much is used for fuel (though most instruments then would really suck! ;) ), but I fear our rate of use of good wood is outstripping our rate of replantation and time to harvest. I don't like to think that extinction, even "temporarily," of good tone woods could occur because we were too greedy to pay attention to sustainability. The stories about Communists clear-cutting so much old growth forests for the wood they put into cheap, mass-produced instruments can be pretty depressing, no?

Also, there are great woods that have disappeared due to blight. Chestnut is but one example. It would be nice to have some of that around today for wood products, though I have no idea whether it would make a nice bass :hmm: . The majestic fraser firs and hemlocks in the Great Smoky Mountains near me are badly threatened due to wooly adelgids. Imagine if the remaining stands were clear-cut, especially to use just to burn as fuel under the guise that they're more eco-friendly than oil! They'd disappear rather fast. Even the ubiquitous pines are being decimated by pine beetles. I guess where we differ is that you speak as though we are using wood responsibly. I’m more pragmatic in believing that until we know that to be true, there’s no real harm in using a tiny amount of oil as an alternative, if it works in certain applications and if its full life cycle costs are accounted for (including all energy that goes in, pollution, disposal costs, GH gases, etc.). If we can consume wood based on what wood farms COULD produce, can’t we buy oil if we also support its real costs to be imposed?

Silversorcerer said:
And the more economically viable alternative is?????
You know the fuel palette. Solar, "nukular," coal, hydro, natural gas, etc. As oil becomes more expensive to extract (not soon enough for me), economic pressures will force power plants away from oil and consumers toward more fuel efficient vehicles, while the alternate sources (domestic clean renewables, I hope) will get relatively cheaper until there’s a cost crossover. Then the extraction of oil will sharply decrease. But they’ll still be oil in the ground for those who want to pay for it (few, I hope.) But by then maybe they’ll be pernambucco and ebony farms, so we won’t need or want the CF versions, right? I sincerely hope so.
 
carbon fibre said:
Several of you, especially Bruce Lindfield, have displayed a rather negative attitude towards CF basses. Which I find interesting and indeed noteworthy.
Not really negative - just saying I don't really want one or see any need for one...?

I am negative towards a trend I see in music of image over content...:hmm:

Probably 75% of all bassists or more share your views - just by instinct, since very few have ever seen, heard or played one.

Well I can give you an answer to that from my experience an having read about others', over 6 years on this board.

So I think a lot of bassists maybe start out on BG when they are younger and are all for new things, new materials - standing out on stage etc.

I've played completely carbon fibre BGs made by Status in the UK and can see the appeal - but I never really liked the tone - over the years I found through experience that the best tone and the one I liked most was that of wood.

Also with time I have become a big Jazz fan and go to gigs a lot and have bought thousands of recordings - so you love that sound and eventually you realise (well I did and I think a lot of other DBers come to this) that the only way to get "that sound" is to play the same instrument as all the "greats"....

I wouldn't choose Double Bass as the easiest thing to play or transport - but after many years of loving the sound I felt the need to play what Dave Holland, Paul Chambers,Ray Brown etc etc played!

I wanted to get in to that tone, that experience - none of the Jazz greats played a CF bass and so I have no interest.....simple as that!

So my question to you will be:

PROVIDED one day a CF bass will be able to deliver a satisfactory sound for classical music, what would you like it to look like? Obviously a snow white finish would stick out a bit. Do you imagine it 'camouflaged' as a wooden bass, or just plain graphite black? other suggestions?

Same question for jazz bands.

I don't know - I just like the sound, feel and look of natural wood...why change, just for the sake of it? :confused:
 
Aleph5 said:
... so we won’t need or want the CF versions, right? I sincerely hope so.
Bruce Lindfield said:
Not really negative - just saying I don't really want one or see any need for one...?
Please Bruce Lindfield end Aleph5!

YES, I do want a CF version, because a wooden bass, farmed or extict wood, can't play outdoors in sun or rain, can't stand being banged around on numerous flight trips, can't stand humidity changes going from tropics to tempered to arctic overnight, can't be taken across the Atlantic on a sailing boat, can't be played in 5.000 metres altitude in the Himalayas, can't be trod upon, spilled upon, banged around in cars, busses, trains.

I do sympathise with your concern about sustainability, and I do love wooden basses for their sound qualities (when the have them), and I do have a great respect for the craftsmanship involved, but please....

I begin to get a little frustrated with the developement of this thread, since my opening idea was to investigate into the subject of CF basses, whereas I find the majority of the replies are posted by people who basically want to air their resistance to the whole idea about them. Not very fruitful.

I find it perfectly all right to have resistance - at times even understandable - but by now I think most of us got the message. So please contribute constructively. If you don't like CF or want to discuss image over content, fine with me - but please use another thread.

Get me?
 
Well I've said my part, but this is a discussion forum - people have different ideas - you can't just say : "only people who agree with me post here"!! :mad:

That's just rude and it also means you only get a one-sided point of view - it might as well be lilke Paul Warburton said - a big advertisement for your favoured bass!! :hmm:

This isn't your forum - you can't say who can and can't post and I think you can't stifle debate, just because you don't agree with the point of view of most of those who have an interest in a subject.

You make your points - others make theirs' - that's how it goes....

You can't force us to agree with you..:hmm:
 
carbon--

I was defending the use of CF. Why would I have argued directly against Silversourcerer, if I agreed with his view? My two negative comments just acknowledged that up to now most CF basses and bows generally "suck" to some degree, and, in the last statement of my previous post, my comment that we wouldn't need or want CF in the face of abundant, cheap, quality wood was a little tongue-in-cheek. If only great wood really "grew on trees" :smug: like that (more tongue-in-cheek ;) ), we could have the luxury of being so choosey and if we ruined a nice bass then, we could easily repair it or get another one with just as good wood. A nice scenario to dream about for those of us who do enjoy nice wood.

I wish there was a good CF bass. The Quintus is very $$ and has received lukewarm comments around here. I'd love to play one, but it's way over my budget anyway. I have mentioned the two graphite Moses basses I have and I like them a lot for what they are. Also, my bow is a Le Gouic CF. Please re-read my posts and see if you still think I'm arguing against CF.
 
Bruce Lindfield said:
....but it aint Beethoven!! ;)
LOL, who is? :D

Bruce Lindfield said:
My point is that if he involved attractive young women playing shiny instruments he might get more attention and a bigger budget for recordings/promotion;)
Pretty things sell better? :)


edit note
Oops, apologies to CF. This should be moved to another forum, not sure how to do that.
 
carbon fibre said:
my opening idea was to investigate into the subject of CF basses, whereas I find the majority of the replies are posted by people who basically want to air their resistance to the whole idea about them. Not very fruitful.
I like the Idea of a CF bass, but in till the quality of build and sound is even with the price of the instrument "on the average" I'm not all that interested past the curiosity stage. They are not widely available yet [if they ever will be] so most of us haven't been able to try one let alone pick through a assortment of 'em to find the one that sounds best. The one I got to hear sounded like a Ply wood bass which is fine because I like plywood basses and they are constructed in the same manner [actually from what I have read they are built exactly like decks and bulkheads on fiberglass boats; cloth/foam/cloth] i.e. laminated. Is it a good idea yes, and if you need a bass that can handle extreme weather and extreme clumsiness they might be the ticket. But, I think they have a ways to go before they are at their optimum.
 
carbon fibre said:
Best to state right away that I have no connection to the product or the producer whatsoever, apart from the mail I quoted (and yes,I admit, much too elaborately).

One may be easily confused based on your username.
 
Respnding to Aleph:

How fast we use something up or whether or not we use it responsibly is a separate issue from whether or not it is renewable. Renewable and sustainable are not the same thing. However it can be said that if something is not renewable, it falls into the category of unsustainable right away. Like nuclear- we will eventually run out of the fuel without the breeder reactors. The only sustainable sources of energy are solar and geothermal, perhaps hydro-electric. Fossil fuel is so limited in supply that there can be no sustainable rate of usage ultimately.

A forest is renewable, even if we use it at a rate that is unsustainable.

What you are looking for is the adoption of sustainable rates of consumption of renewable resources. This is the only way to sustain a civilzed culture. Call it our natural limitation. So I think you and I are in agreement on what is a realistic goal with resources.

I doubt really that the huge bulk of wood consumption is for musical instruments, just like there wouldn't be proportionately much oil involved in supplying CF instruments. The distinction that I make is that the wood is renewable, the oil isn't. Trust me, I don't believe we are using any resources wisely, or sustainably. But you must respect what these words truly mean and what they don't. And, yes we lost many tress like the chestnuts and are in danger of losing more, but we are the ones who care which beloved species gets lost. Nature just fills in with some other tree. There is no value system or judgement of preference, one over the other except survival of the fittest. What we term invasive species, nature knows none of that. All of that reasoning is from a human viewpoint that sympathizes with the familiar of the present. If we run up a tab on Nature, we pay it.

Fossil fuel was a one-time bonus. It will take many many 1000s of times the age of man for more fossil fuel to be created. We have used up most of the available coal, most of the peat that was on its' way to becoming coal and most of the oil in less than 350 years. We will use what is left in the next 75 years. So in the entire age of the human race, fossil fuel will have had a one time impact that gave us perhaps a few centuries to accomplish some very fantastic feats;- and then there was none. Put in that perspective there is really nothing so intrinsically special about human accomplishments during our industrial-technological revolution. It is the fossil-fuel revolution. It is drawing to a close.

For the present there are both wood and Carbon Fibre double basses. I don't really want to discourage any one from trying CF. It probably is the best option for the person who finds themselves needing that level of durability. The US Navy had them made of aluminum at one time. You have to wonder what that sounded like.
 
[QUOTE=carbon fibre

"...I find the sound deep, strong and pleasing, but before I go into further details I would like to get some feedback to know whether any of you out there share my interest..."

This is a quote from your opening post, I think the responses you got were in line with your post.

Bottom line is that a lot of of us were attracted to the double bass precisely for it's sound, it's individual character, and it's tradition, otherwise we would still be playing electric bass guitars. Until that kind of sound is available from a CF bass, and at a price that is reasonable, you probably shouldn't expect too many of us to gush about unfulfilled possibilities in a bass of any new material.

From my own perspecitve, I have been interested, read articles and sent for printed materials, but as yet have not seen any reason to go out of my way to play one. On a totally, different level, the fact that an instrument is made of wood, (and possibly by hand) is one of the strong attractions for me, in traditinal wood basses.
 
Hector Wolff said:
I think the responses you got were in line with your post.
Yeah, how right you are. I certainly got a lot of 'No, I'm not interested'. I should instead have asked for contact with people who ARE interested, but thanks anyway to all of you, including you Bruce ;) , who have contributed so far. I learnt something.

And sorry Aleph to have misread you, but English is not my mothertongue, certainly not when it's in the cheek.

Thanks Peck Time for your point of view (which I share btw.). If you or any of your fellow bass-mates come to Australia and get a chance to check out the Epoch once it is released, maybe you could give this thread a hint about the sound quality. It's too far for me.

Finally I would like to encourage those of you who know of any Quintus owners (or just players) to point their attention to this thread to let them share their experiences with us.
 
Hector Wolff said:
carbon fibre "...I find the sound deep said:
Yes - that's exactly my feelings on the subject!

Just to say that there is one simple thing that decides this debate and which we can't determine here :

How does it sound ?

The problem is that this is to some extent, a subjective question - so with the Bass Guitars - some people loved the sound of the Status basses, I didn't....:hmm:

But really that's the only question - people don't play DBs for convenience and how durable they are - they would have chosen flute, if that was their criterion ;) - no, they choose to play for that sound - if it's not there, then all other debate is pointless really....
 
From the article :

"Some string instrument dealers say it's debatable whether the instruments have a more powerful sound than a traditional one. Also, it is less about whether one is better than the other and more about a musician's taste, said Rebecca Shannon, who owns Shannon Strings in Concord with her husband, Andy Weinstein. They prefer the process of making instruments out of wood, and the individual personality the instruments develop as the wood ages, is handled, and even as it is affected by weather..."
 
Following the link in post 20 (thanks mheintz) I mailed Luis and Clark today to inquire about their CFbass.

Here's their answer:

| >From: "luis leguia" <[email protected]>
| >Sent: Monday, November 21, 2005 3:02 PM
| >Subject: RE: Carbon fibre double bass
| >
| >
| >| Dear Mr. Glahn,
| >|
| >| Louie has just started working on the bass design. It will be the most
| >| complicated of all the instruments and he wants to get it right the first
| >| time. Hopefully it will be done by next year at this time. I will contact
| >| you as soon as it is finished.
| >|
| >| With best wishes,
| >|
| >| Stephanie Leguia
 
poptime said:
Luis and Clark, are they like, pioneers in this; exploring new territory? ;)
Sorry Pop - I don't get the joke.

Well, to take you litterally and use the opportunity to sum up:
  1. It seems to me so far that the first manufacturer of CF basses was Cosi (Jean-Claude Lagarde) in Southern France who started maybe 25 years back.
  2. Then we have Quintus, USA. These are the only two on the market right now.
  3. Then there are Epoch of Australia who are releasing their bass anytime now, and
  4. Luis and Clark, USA, who may have one ready in a year's time, and finally MAYBE
  5. Design-Harmonie, France, who haven't responded to neither my emails or my telephone calls.
So in a way all of them are explorers of uncharted land.
 

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