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What electronics do you have on your SB and how do you set them/use them when playing?
I thought the same thing after I ordered my fretless. I figured at best, it was going to be a play-at-home toy. But I'm using it more than I thought. So much so that I'm selling one of my other basses.A thousand bones is a lot to blow on a bass that may not get played that often.
It really is. If playing that passive SB4000 this week taught me anything is that the SB's sound great passive. The active mode is a nice to have kinda deal. I like being able to reach down and tweak my bass eq level on the fly, but could as easily do it on the front of the amp.I think the passive tone is just killer all on its own.
Hmm... I have a gig right now that could really benefit from it. I've also kicked around just ordering a fretless neck for my current SB5000 that I have for sale. I've never swapped a neck before though. Does that usually go well or do issues arise there?I thought the same thing after I ordered my fretless. I figured at best, it was going to be a play-at-home toy. But I'm using it more than I thought. So much so that I'm selling one of my other basses.
Your gain trim is simply set too high. Just turn it down and you'll be fine. There's no reason why the preamp would have to be hotter than your passive mode. That's a configurable thing.The active preamp pushes my low wattage tube head a bit too much for my taste. I could see the active mode coming in real handy if I were playing through a backline at a gig or something with a lot more headroom and had to tweak my sound on the fly.
True, but if you're the kind of player that uses passive mode a lot, maybe switching back and forth in the same set, it probably makes more sense to just set up the preamp gain to "match" passive mode, so you just set/forget the amp.I use the BX500 so the active/passive input switch works really well in conjunction with active/passive modes on the SBs.
Ahhh, ok, that makes sense.I'm aware of the trim pot fix with the active output, it just hasn't been necessary. I prefer the passive tone with my main rig and have no need to boost or cut with the 2 band. If I'm playing on one of my other amps that has more headroom the active level isn't really an issue and I never switch back and forth. I'm not that into active basses really anyway, but I figured I would give it a shot with the SB4000 and if I didn't like it I could just not use it. When I record direct into my digital interface at home I tend to use the active and have no problems with it. If I ever got to the point where I wanted to switch back and forth during a set for particular songs I would adjust the output.
Hmm... I have a gig right now that could really benefit from it. I've also kicked around just ordering a fretless neck for my current SB5000 that I have for sale. I've never swapped a neck before though. Does that usually go well or do issues arise there?
BTW, clearly I'm more of a nerd about this stuff than you are, but if that was my situation, I'd probably go in and see if there was a way I could reverse the push/pull so pushed in was passive, and you'd have to pull out for active, the lesser used mode in your case.![]()
I finally pulled the trigger on an SB5000....now I have to relax and wait.
I had another gig with new band last night, new venue, new soundman. The soundman came up a couple of times and said how he was getting a really nice signal from my rig. He asked what kind of amp it was and I told him it was Carvin BX500, but that it was a straight through/pre EQ DI and the sound was coming from the bass. He complimented the tone of it a couple of times, the guitar player did as well. I think my SB5000 is helping me get gigs
I experimented with rolling back the neck volume for a few songs. Also, rolling back the treble control instead of the passive tone to darken the sound a bit for the Motown tunes. It worked really well. Even got a little slap solo thrown my way. A good night with the SB![]()