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Circle K strings...

Just bought, received, and put on a 136 B Balanced set for my 7-string.

Holy mess, these are hands down the best strings I've ever played. The even/balanced tension is the main reason. Each string is, like, perfectly even in tension and the volume string-to-string is just super consistent. The high F is the same volume as the low B -- that was NEVER the case with my last set (which was horrible in comparison).

My last set were stainless steels (just some cheap plain ones) and they were ok, but the treble/highs were absolutely a nightmare to tame in a live setting. I had to almost cut every treble knob on every pedal/head/preamp just to keep it down. They lacked mids too.

The Circle K's, however, have a VERY punchy mid-range (surprisingly good) and have just enough treble/twang to make them adequate for a metal/rock sound, but I found myself having to boost a lot of treble to get them where I wanted them (again, not used to this). The low end seems great and all around, some very strings. I WILL be a repeat buyer over and over.

It was also cool, they advertised the gauges for the set I bought as something like 136/100/76/55/40/29/20 I think, but when I got them they were literally 136.5/102.5/76/55/41/29/18 -- and I saw an announcement on their website about "For future orders you might notice your gauges are a bit different than what you ordered, we're constantly improving the gauges in sets regarding tension and feel" -- very cool to see they're constantly working and improving their products. I'm just a fan of smaller companies like this who can really focus on a great product first and foremost.

Lastly, these strings have a very nice, smooth nickel feel. Another big plus for me.

EDIT: Saw something earlier in the thread about people wanting more sound samples. I have a small studio bit setup here and can easily make a few, so I'll do that later this week if anyone's interested (just to have a variety of samples out there).
 
Friendly request/suggestion: Please offer a selection of rounds with a flat outer wrap. These are AFAIK only offered by two brands currently Thomastik (the famous jazz "flats")and Status and in both cases only produced in low tension sets.
I'm sure this would please fretless users and flatwound fanatics alike and probably become popular here on TB.
 
Friendly request/suggestion: Please offer a selection of rounds with a flat outer wrap. These are AFAIK only offered by two brands currently Thomastik (the famous jazz "flats")and Status and in both cases only produced in low tension sets.
I'm sure this would please fretless users and flatwound fanatics alike and probably become popular here on TB.

I'd buy at least one set with balanced tension, and one set with "traditional" tension, just to compare them to the TI jazzflats I've used on all of my basses for the past decade. I'd love to find another string I like at least as much as the Thomastik Infelds.
 
Friendly request/suggestion: Please offer a selection of rounds with a flat outer wrap. These are AFAIK only offered by two brands currently Thomastik (the famous jazz "flats")and Status and in both cases only produced in low tension sets.
I'm sure this would please fretless users and flatwound fanatics alike and probably become popular here on TB.

I have at least 3 basses I would put those on immediately.
 
I don't see the point, really. The nickel strings should be bright enough for anybody, and it's brightness that lasts.

I don't use flats, but I might if Circle K makes some.

Most steel strings have a prominent upper mid content and fairly harsh highs. The aggressive sound they produce is quite desirable to some, and they sound great on a P-bass with a pick through some light overdrive. Very gnarly.
 
flatwounds are good if you have a bass with a warped neck and the setup guy did his best to get you a nice low action but there's still too much fret buzz. Guess how I know...

First course of action for a bass with fret buzz is to take it to a good shop and have it professionally set up, of course.
 
flatwounds are good if you have a bass with a warped neck and the setup guy did his best to get you a nice low action but there's still too much fret buzz. Guess how I know...

First course of action for a bass with fret buzz is to take it to a good shop and have it professionally set up, of course.

The better solution is to check for neck warping or a fret leveling. I was recently *informed* from many flats players that fret buzz is just as common and flats are not any less susceptible to fret buzz than the rounds counterparts.

Your flats solution many come from the tension increase or stiffness increase, not directly from the type of wrap.


How is this relevant to Circle K, though?
 
Most steel strings have a prominent upper mid content and fairly harsh highs. The aggressive sound they produce is quite desirable to some, and they sound great on a P-bass with a pick through some light overdrive. Very gnarly.

I thought steel strings had a scooped mid range. That's what I read around here usually, anyway. The aggressive sound really depends on what brand of steels you get.
 
Almost everywhere I read Nickel has a bump in the mids and Steel is scooped.

I've only ever heard the opposite of that "almost everywhere" which equates to just two sources in guitar/bass magazines. But I don't really care whether I'm right or not about this--maybe my memory sucks and I'm thinking opposite of what I read. Like I said I prefer CK strings as they are now...