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Class D Head With Parametric or Semi-Parametric Mids

Jun 18, 2018
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Durham NC
What's a class D head with parametric or semi-parametric mids that you like? 500-800 watts. Budget is 400-750, although it wouldn't be inconceivable for me to go a little higher. It'll be going into a GK Neo 2x12 at 8 ohms. Why? I think it would be cool to be able to pinpoint a frequency here and there and turn it up or down.

Some examples (not all within my price range) would be:

Aguilar TH500/700
Ampeg PF 500/800 (kind of)
Hartke TX/LX series
Mesa D800+
Orange Little Bass Thing, etc. etc.

Let me know what you like.

I know I've been starting a lotta threads, but it helps to ask one question.
 
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What's a class D head with parametric or semi-parametric mids that you like? 500-800 watts. Budget is 400-750, although it wouldn't be inconceivable for me to go a little higher. It'll be going into a GK Neo 2x12 at 8 ohms. Why? I think it would be cool to be able to pinpoint a frequency here and there and turn it up or down.

Some examples (not all within my price range) would be:

Aguilar TH500/700
Ampeg PF 500/800 (kind of)
Hartke TX/LX series
Mesa D800+
Orange Little Bass Thing, etc. etc.

Let me know what you like.

I know I've been starting a lotta threads, but it helps to ask one question.
I have a Tone Hammer 500, but I did have a Walter Woods Electacoustic Super with semi-parametric mids for many years.
 
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What's a class D head with parametric or semi-parametric mids that you like? 500-800 watts. Budget is 400-750, although it wouldn't be inconceivable for me to go a little higher. It'll be going into a GK Neo 2x12 at 8 ohms. Why? I think it would be cool to be able to pinpoint a frequency here and there and turn it up or down.

Some examples (not all within my price range) would be:

Aguilar TH500/700
Ampeg PF 500/800 (kind of)
Hartke TX/LX series
Mesa D800+
Orange Little Bass Thing, etc. etc.

Let me know what you like.

I know I've been starting a lotta threads, but it helps to ask one question.
MarkBass Vintage D2
 
I don't know if you can find a used one to meet your price target, but as a user of a Euphonic Audio amp, I can tell you firsthand their products are absolutely superb. The current model is the iAmp Classic with 1,200 watts at 4 ohms and a four band EQ. I've been playing one for awhile and the amps have real guts and the preamp and EQ are clean as a whistle
 
I tried all those when I was amp hunting a few months ago. Went with the D800 +

The semi-parametric low and high mids, plus voicing control, and adjustable HPF, helped seal the deal.
That voicing control is awesome. I keep mine pretty low when I have certain pre amps in front, but I like to be able to turn it up if I plug straight in.

I'll also never play without a HPF again since I started using the D800+.
 
What's a class D head with parametric or semi-parametric mids that you like? 500-800 watts. Budget is 400-750, although it wouldn't be inconceivable for me to go a little higher. It'll be going into a GK Neo 2x12 at 8 ohms. Why? I think it would be cool to be able to pinpoint a frequency here and there and turn it up or down.

Some examples (not all within my price range) would be:

Aguilar TH500/700
Ampeg PF 500/800 (kind of)
Hartke TX/LX series
Mesa D800+
Orange Little Bass Thing, etc. etc.

Let me know what you like.

I know I've been starting a lotta threads, but it helps to ask one question.
I'd love to point you to a [Invalid or Expired Link Removed]amp but it doesn't have any semi-parametrics, although the Frequency centers he uses for its EQ's are very musical and make it easy to dial in a sound.

But to get to your 2 or 3 semi-parametric controls, I can easily recommend the Eden TN-501 or TN-502 amps. These are class D amps weighing in at just 5.3-lbs. The TN-501 puts out 500-watts into 4Ω and half that into 8Ω. It has both passive and active inputs, a mute button (mutes all but the tuner out), gain control with clip light (sweet spot should make that gain-clip light dance and flash on your lowest and loudest notes), Bass shelving EQ for everything 30Hz and lower, a low-mid semi-parametric that goes from 30Hz up to 300Hz, a high-mid Semi-parametric that goes from 200Hz to 2KHz, and a treble shelving control for everything above 2KHz. It's a really versatile EQ set up.

It also has the Eden Enhance control that is basically a shape control that boosts the bass and treble and scoops the mids. It sounds good for bedroom practice, solos with drum only, or slap. But it you turn it up much above 9 o'clock while playing in a group, you'll dial yourself right out of the mix...you need low mids for presence and definition in a group. Good news is that it has a bass boost button, which lets you add extra bass without boosting treble or cutting mids, and it works very well.

It also has a surprisingly good auto-compressor. I have a big Eden amp, WT500/800 that I bought from David in 2010, right after the sold and left Eden and started DNA, and I really don't care for the auto-compressor on it. It's pretty harsh. I also have the the TN-226, which is the little brother to the TN-501 I'm recommending for you, (has the same preamp). I got if for a small brewpub where we played a lot of Friday nights. I just run it through one Eden EX-112 cab and it works fine for that small brewpub. But it's not enough for most medium-sized venues, thus I recommend the 500-watt one. We got a little loud one night and my power clipping light started flashing (a very bad thing!). Turned down the bass EQ and it kept flashing. Turned down the master and I disappeared from the mix.

At that point I gave up and turned on the auto-compressor, turned the master back up where it needed to be, and the clip light stopped flashing. The auto-compressor was very nicely, smoothly, and musically compressing my peaks, which stopped it from clipping the power section. I didn't notice a difference in dynamics though there had to be some and you couldn't tell by listening when it engaged and let go. I'm a fan of this auto-compressor. When you have it engaged a compressor light appears and you can control the threshold with the gain control. The gain clip light with the compressor engaged lights up when it is compressing and goes dark when it is not. The higher you turn up the gain with the compressor engaged, the sooner it will engage. I'm impressed with it.

Street price in the US has been $649 but have seen some at $599 and once at $549. However, if you can wait for delivery until Feb. 7 to 9, you can order one from Gear4Music.com (a huge retailer in the UK) for $399. They bought Eden from Marshall recently although Marshall is still doing the manufacturing. They have really low prices on most Eden gear. Here's a link to it at their site: Invalid Link Removed

TN501.jpg
 
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I went with the Mesa WD-800 over the D800+… I love the texture the tube gives and the damping control.
I was also looking for some semi parametric mids and almost went with the Peavey MiniMEGA though I never tried one). I also tried the Orange 4-stoke, which sounded killer through my Mesa Subway 210 but the notched volume pot killed it for me. The Orange little bass thing has one simi parametric band but I found it limiting and it too had the notched volume pot. A lot of the Eden heads also have that style of EQ but my 405 didn't so I have no experience with them.
 
I have a Reidmar 750, it has one-band mids shiftable from 100Hz to 6k. rated at 700W RMS 4 ohm, 350W RMS 8 ohm, and, boy, it's loud.

Reidmar 502 has the same EQ section, but not sure how it compares power-wise in real life.
 
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TC Electronics RH heads have frequency selection available for lows and highs in addition to the mids. I'm currently own the D800+, which has two bands of semi-parametric mids that I almost never touch because it sounds so wonderful with the EQ knobs at noon.
 
OP, do you have any additional parameters that are important to you? Any references to other amps or artists to decribe your tone goals?

As of now, everyone is just going to name their favorite amp, as long as it has semi parametric mid controls. Keep this thread going long enough, and every available model will be mentioned and recommended.