I’m not just talking strings. With the LH3 preamp I’m dealing with a three band preamp, the blend knob plus midrange dip switches.
I tried it with the drummerless regular jam I have again this weekend. Tiny adjustments make pretty large changes. I’d noticed this weekend that even small shifts in hand placement has a big affect on the tone in the mix as well . I’d love to know what other folks are doing.
Maybe I need to stop trying to fit a square peg in a round hole and stop thinking about it as a weird nonFender and think of it instead as a nonGibson.
After trying roundwounds, tapes and labella 760FM I've settled on a current setup that works for me.
Strings: Labella 760FL
Mid switch: factory setting of (I believe) 1000, not sure since I don't use it often.
Modification: I added a switch for active passive, and use the volume push/pull as a mute.
I bought a small pot, and have treble as "set it and forget it" in the control cavity, in it's place I've wired a passive tone control.
I've had great success with this set up, as I rarely find the need to adjust the highs, and I can get interesting sounds when boosting mids and cutting the tone.
I did two days in the studio, and found it to sound best passive with single coil mode, for one tune I used the other mode (series coils? No idea, the loud mode).
I find both the passive and active modes to be useful live, and I will henceforth add a passive tone control to any active bass.
I do find that playing the bass on it's own, the LH3 slightly scoops the sound, and that the bass sounds richer in passive. I've had the same issue with my HB34 (I added a preamp) and my active 55AJ. Maybe the Lakland pickups don't work well with pres, or maybe the two Noll and one LH3 simply lose some of the organic sound of the basses pickups.
At any rate, being able to switch active/passive, and to have a passive tone control makes all three basses excellent for live and studio work, as well as for pick and finger playing.
Hopefully all my ramblings helps someone out.