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Club Sadowsky!!!

Strange....everytime I see this photo - Joey Tribbiani (from Friends - Matt Leblanc) pops to my head :eyebrow:

LOL! How YOU doin'?!

Oh, and I'm in:

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I am using the Sadowsky SBN45B Blue Nickels that came on this bass:

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Tonally I like the Sadowsky strings very much. But they seem a bit "springier" than I am used to, though. Somehow a bit more elastic.

Tension-wise, my fingers are most accustomed to Rotosound Swing Bass 66's on a neck-thru Alembic, or the Link Removed. In other words, pretty high tension (or high-tension feeling anyway)

I am considering, based on a strong recommendation from a trusted luthier, trying the Ken Smith Compressors.

Based on all the research I've been able to do here, I think these might accomplish all my sonic and string-feel goals.

Has anyone here tried these on their Sadowsky? Even better their Sadowsky with Soapbars? The B is tapered like the Sadowsky strings - can someone who has used Ken Smith Compressors confirm that these work (length-wise)?

(Hope this isn't too much of a string-specific derail. If it is, PM me and I'll move over to "Strings". But I really wanted to get the Sadowsky-specific viewpoint here.)
 
Here are my two beauts. It's the perfect combo. The WL preamp is super flexible and the orange bomb's "B" is the bomb. :)

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I am using the Sadowsky SBN45B Blue Nickels that came on this bass:

2012-11-01-22.43.13-33pct.jpg


Tonally I like the Sadowsky strings very much. But they seem a bit "springier" than I am used to, though. Somehow a bit more elastic.

Tension-wise, my fingers are most accustomed to Rotosound Swing Bass 66's on a neck-thru Alembic, or the Link Removed. In other words, pretty high tension (or high-tension feeling anyway)

I am considering, based on a strong recommendation from a trusted luthier, trying the Ken Smith Compressors.

Based on all the research I've been able to do here, I think these might accomplish all my sonic and string-feel goals.

Has anyone here tried these on their Sadowsky? Even better their Sadowsky with Soapbars? The B is tapered like the Sadowsky strings - can someone who has used Ken Smith Compressors confirm that these work (length-wise)?

(Hope this isn't too much of a string-specific derail. If it is, PM me and I'll move over to "Strings". But I really wanted to get the Sadowsky-specific viewpoint here.)

First, that's an amazing bass.

Second: the Sadowsky blue labels (steel and nickel) are fairly low tension/high flexibility. I know what you mean, a change in touch is required. I can't speak to the Smith compressors, but will mention that the Sadowsky black labels (also offered in SS and nickel) will feel better to you, and have a tapered B.
 
For me, I really like the Sadsowsky Blues.
Yes, they're lower tension. That lets me move a softer touch into my playing, all the way across the dynamic range, and, relax into my playing more.

That suits me fine. Took a while to readjust my touch to it, but, now I very much like it.
 
"Ash/Maple?"

"Why yes, you're soaking in it right now!"

I think we need to start an Ash/Maple SC Club.

If I Gel with the natural Ash/Maple MV5 I might have to trade its tort PG for a black one. I just love your natural/vintage tint with a black PG. You and Vic have sold me on that look. Simple,Plain and TONE to die for. I think I better go get another Stag out of the frig.