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Club Sadowsky!!!

Can I join this club ?

This is my two Sadowsky's :

1- JB UV60 NYC (Alder body, Mapple neck, amazing Brasilian Rosewood fingerboard, Single Coils pup's) :

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2- Metro MV5 (Ash body, Mapple neck/fingerboard, Seymour Duncun Custom Shop 100% Humcancelling with Roger specificity) :

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:)
 
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I have a buddy that digs my ash/maple Sadowsky basses and he has been looking for that combo but keeps coming up with basses with morado fb. Can you morado guys please let him know where it falls tonally? I have limited experience with it but I felt that it was brighter than RW but not as bright as maple. His name is Patrick. Sadowsky club members, please chime in with some opinons.
Roger, what is your opinion?
 
I can be perfectly happy with pau ferro when playing fingerstyle, but IME pau ferro has a harsh sound when slapping, particularly on the 'pop' portion of 'slap and pop'. Can't think of the best way to describe it, but to ME at least, I don't like it at all. Ash/Maple or Ash/Brazilian RW for this guy, though my ash/ebony fretless M5 does me just fine as well.

YMMV
 
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I can be perfectly happy with pau ferro when playing fingerstyle, but IME pau ferro has a harsh sound when slapping, particularly on the 'pop' portion of 'slap and pop'. Can't think of the best way to describe it, but to ME at least, I don't like it at all. Ash/Maple or Ash/Brazilian RW for this guy, though my ash/ebony fretless M5 does me just fine as well.

YMMV
I have the same experience with my 2 ex morado sadowsky one will lee and one standard.I felt it was harsh sounding .never liked the sound . I wouldn't say between rosewood and maple , but more like not as warm as rosewood and not as good as maple.iam very happy with ash maple sadowsky
 
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Yeah. I knew that bass would sound that good.

FOH recording of a show I was MD for 2 weekends ago, using my #1 baby going through a Streamliner 900 Post EQ:



15775049761_3bb6a4f3e5_b.jpg


Got an almost J-Bass sounding tone on this one, hope you like! (and sorry for any mistakes my I and my associates may have made, It was a stressful day, everyone was a little on edge :()
 
FOH recording of a show I was MD for 2 weekends ago, using my #1 baby going through a Streamliner 900 Post EQ:



15775049761_3bb6a4f3e5_b.jpg


Got an almost J-Bass sounding tone on this one, hope you like! (and sorry for any mistakes my I and my associates may have made, It was a stressful day, everyone was a little on edge :()

You and the bass both sound great. :)
 
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While I have absolutely no doubt that the fingerboard contributes to the tone of a given bass; IME there are so many other factors varying from one instrument to another that defining statements are complicated. Pickups. Neck construction other than fingerboard. Body characteristics. Voodoo mojo etc.

My working bass is a plain Jane RV4, pre graphite in the neck, where I have retrofitted Delano JMVC4 pickups. That bass does every single tone I look for, including slap, to perfection. To the point that I would love to upgrade to an NYC, but no way am moving away from this RV4, strictly due to unpredictable characteristics. I have other higher end basses that do not get as much use. I could sell one of those to fund an NYC. But, I just do not feel any confidence whatsoever that any new build would meet up to what that RV4 does. I have a Fender Jazz, which sports the same preamp and pickups and similar setup quality & specs, and while producing useful tones, does not get anywhere close to the RV4.

So, to compare morado to maple; sure there are some differences. But if you are comparing two different basses, there will be some other things that are involved as well. To me, you just have to do your best to spec the instrument, then go out and gig the bass and then decide if it works for you or not.