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Club Sadowsky!!!

Family pic...

Older NYC, simple ash/maple, singles, about 8.5 pounds, currently strung with flats and sounds/plays awesome. Had the finish stripped off the back of the neck and switched to gunstock oil finish and love it. Bought it used on ebay for a song.
20200218_001659.jpg


Newer NYC, custom ordered, solid light ash body, ebony board, singles, about 8.5 pounds. amazing bass on every level.
20200218_001848.jpg


Newer Japanese/original line MetroExpress, ash/maple, super lightweight just under 8 pounds, the brand new HC pickups, awesome bass/value.
20200218_001938.jpg


bought new recently, tho 2018 model Japanese Metroline, ash/maple, 9 pounds, another great one
20200218_002022.jpg


...and a new NYC custom currently being spec'd. :)
 
Family pic...

Older NYC, simple ash/maple, singles, about 8.5 pounds, currently strung with flats and sounds/plays awesome. Had the finish stripped off the back of the neck and switched to gunstock oil finish and love it. Bought it used on ebay for a song.
View attachment 3711888

Newer NYC, custom ordered, solid light ash body, ebony board, singles, about 8.5 pounds. amazing bass on every level.
View attachment 3711889

Newer Japanese/original line MetroExpress, ash/maple, super lightweight just under 8 pounds, the brand new HC pickups, awesome bass/value.
View attachment 3711890

bought new recently, tho 2018 model Japanese Metroline, ash/maple, 9 pounds, another great one
View attachment 3711891

...and a new NYC custom currently being spec'd. :)


Oooooo-weeeee that PJ5!
 
Family pic...

Older NYC, simple ash/maple, singles, about 8.5 pounds, currently strung with flats and sounds/plays awesome. Had the finish stripped off the back of the neck and switched to gunstock oil finish and love it. Bought it used on ebay for a song.
View attachment 3711888

Newer NYC, custom ordered, solid light ash body, ebony board, singles, about 8.5 pounds. amazing bass on every level.
View attachment 3711889

Newer Japanese/original line MetroExpress, ash/maple, super lightweight just under 8 pounds, the brand new HC pickups, awesome bass/value.
View attachment 3711890

bought new recently, tho 2018 model Japanese Metroline, ash/maple, 9 pounds, another great one
View attachment 3711891

...and a new NYC custom currently being spec'd. :)
Why did you go with a solid body for your custom NYC build?
 
Hey everyone,

I was wondering if you all may be able to help me out? I'm not currently a Sadowsky owner, but plan on making a purchase within the next month or so. I visited the shop on a trip to NYC back in 2016, can't say enough how nice everyone was when I was there, and how they treated me incredibly well! It was my second time to the city, I'm from Ohio so I don't know the city super well, they even made some awesome suggestions for things to check out when I was there, and even helped plan my non-music related activities to make the trip way better than what it would have been had we not stopped in! My brother, who's not even a musician, still talks about going back there and doing another visit with the team, because he was impressed so much by them.

Since then, I've basically kept coming back to the idea that I think a Sadowsky is for me. Not just because of their quality, but because it's nice to also really believe in the people behind a product. They also have a sound that just works! It's taken me a few years to put the funds together, but I think it's time! I'm really stuck between two basses though. I really need a bass soon, and can't wait to have one made or else I totally would! One of the problems is that I can't remember tons about how the instruments felt after a few years.

I'm mainly looking for an ash/maple bass. My current main gigging bass is a Fender Custom Shop Custom Classic 4 string. It's a good instrument, and is no slouch, but the thing that gets me about it is the neck shape, mainly in the first position. I've had a lot of sessions this year sitting down, transcribing music, and doing longer rehearsals, and something about the neck shape near the nut just doesn't feel right about this bass. I've played it since 2017, and do most of my own repair/maintenance work. I've put new electronics in it, and refinished the neck, but it still feels clunky in that part of the neck. It's a seriously nice instrument, the sound is great, but I don't like the way it feels in first position. I'm at the point that I just want a bass that feels like "home", and I've always been a J bass guy. The neck shape on paper is supposed to be a classic jazz bass profile, but it feels more like a skinnier P bass than a true J bass to me near to the nut.

Obviously, that has me considering the Will Lee models, and I've heard the neck shape is great. Recently I've played one of the new American Ultra Jazz basses, some Geddy Lee basses, and I honestly walked away from both not really impressed with the necks. I know that they're some of the most loved (especially the Geddy Lee model) Fender shapes out there, when it comes to necks, but they almost felt too small. I have owned two 70's basses with a bit thicker necks, and they both felt great. I realized that the depth of the neck to me was almost more important than the width. Something about modern Fender interpretations really leave behind something of the vintage instruments they were designed from. For all the improvements they try to make, sometimes they forget the little things. Roger and his team really seem to be the team to beat when it comes to refined jazz basses. What I kind of realize is that I still need some substance to the neck in the right places, but I'm looking for something that just feels great to play for long periods of time. Skinny and thin aren't always a better option.

Could any of you give me feedback on your experience with the more standard 4-21 models vs. the Will Lee basses, especially in the first position? I know a lot of bass players play these basses out there who are supportive/side men. I'm just trying to find the right feel now that I'm making a pretty considerable purchase. Another thing to throw out there, is that I actually really like playing with a neck pickup cover on. I know Will Lee himself plays with one too, but if any of you have experience with this, does it feel any more cramped than a 21 fret bass? I think he has his placed a little farther back also to help with this.

Thank you, and sorry for the wordy post!
 
Hey everyone,

I was wondering if you all may be able to help me out? I'm not currently a Sadowsky owner, but plan on making a purchase within the next month or so. I visited the shop on a trip to NYC back in 2016, can't say enough how nice everyone was when I was there, and how they treated me incredibly well! It was my second time to the city, I'm from Ohio so I don't know the city super well, they even made some awesome suggestions for things to check out when I was there, and even helped plan my non-music related activities to make the trip way better than what it would have been had we not stopped in! My brother, who's not even a musician, still talks about going back there and doing another visit with the team, because he was impressed so much by them.

Since then, I've basically kept coming back to the idea that I think a Sadowsky is for me. Not just because of their quality, but because it's nice to also really believe in the people behind a product. They also have a sound that just works! It's taken me a few years to put the funds together, but I think it's time! I'm really stuck between two basses though. I really need a bass soon, and can't wait to have one made or else I totally would! One of the problems is that I can't remember tons about how the instruments felt after a few years.

I'm mainly looking for an ash/maple bass. My current main gigging bass is a Fender Custom Shop Custom Classic 4 string. It's a good instrument, and is no slouch, but the thing that gets me about it is the neck shape, mainly in the first position. I've had a lot of sessions this year sitting down, transcribing music, and doing longer rehearsals, and something about the neck shape near the nut just doesn't feel right about this bass. I've played it since 2017, and do most of my own repair/maintenance work. I've put new electronics in it, and refinished the neck, but it still feels clunky in that part of the neck. It's a seriously nice instrument, the sound is great, but I don't like the way it feels in first position. I'm at the point that I just want a bass that feels like "home", and I've always been a J bass guy. The neck shape on paper is supposed to be a classic jazz bass profile, but it feels more like a skinnier P bass than a true J bass to me near to the nut.

Obviously, that has me considering the Will Lee models, and I've heard the neck shape is great. Recently I've played one of the new American Ultra Jazz basses, some Geddy Lee basses, and I honestly walked away from both not really impressed with the necks. I know that they're some of the most loved (especially the Geddy Lee model) Fender shapes out there, when it comes to necks, but they almost felt too small. I have owned two 70's basses with a bit thicker necks, and they both felt great. I realized that the depth of the neck to me was almost more important than the width. Something about modern Fender interpretations really leave behind something of the vintage instruments they were designed from. For all the improvements they try to make, sometimes they forget the little things. Roger and his team really seem to be the team to beat when it comes to refined jazz basses. What I kind of realize is that I still need some substance to the neck in the right places, but I'm looking for something that just feels great to play for long periods of time. Skinny and thin aren't always a better option.

Could any of you give me feedback on your experience with the more standard 4-21 models vs. the Will Lee basses, especially in the first position? I know a lot of bass players play these basses out there who are supportive/side men. I'm just trying to find the right feel now that I'm making a pretty considerable purchase. Another thing to throw out there, is that I actually really like playing with a neck pickup cover on. I know Will Lee himself plays with one too, but if any of you have experience with this, does it feel any more cramped than a 21 fret bass? I think he has his placed a little farther back also to help with this.

Thank you, and sorry for the wordy post!

Might want to check this out. No affiliation with the seller, but looks like a beauty!

For Sale - Sadowsky Will Lee Metro 4 string 59 burst - like new
 
I have a MetroLine MV5 and a MetroExpress RV4. Before buying the RV4, I tried the NYC Will Lee and yes, it’s a very nice bass, but I didn’t feel any real benefit from the smaller neck, and the width at the nut did feel smaller than I’m used to. Tried a MetroExpress and couldn’t discern any difference between it and the MetroLine, and it felt great, so that’s what I bought. The Will Lee had a very nice figured maple (I think) top, but I’m fine with a solid colour.

It’s really down to personal taste.

Hey everyone,

I was wondering if you all may be able to help me out? I'm not currently a Sadowsky owner, but plan on making a purchase within the next month or so. I visited the shop on a trip to NYC back in 2016, can't say enough how nice everyone was when I was there, and how they treated me incredibly well! It was my second time to the city, I'm from Ohio so I don't know the city super well, they even made some awesome suggestions for things to check out when I was there, and even helped plan my non-music related activities to make the trip way better than what it would have been had we not stopped in! My brother, who's not even a musician, still talks about going back there and doing another visit with the team, because he was impressed so much by them.

Since then, I've basically kept coming back to the idea that I think a Sadowsky is for me. Not just because of their quality, but because it's nice to also really believe in the people behind a product. They also have a sound that just works! It's taken me a few years to put the funds together, but I think it's time! I'm really stuck between two basses though. I really need a bass soon, and can't wait to have one made or else I totally would! One of the problems is that I can't remember tons about how the instruments felt after a few years.

I'm mainly looking for an ash/maple bass. My current main gigging bass is a Fender Custom Shop Custom Classic 4 string. It's a good instrument, and is no slouch, but the thing that gets me about it is the neck shape, mainly in the first position. I've had a lot of sessions this year sitting down, transcribing music, and doing longer rehearsals, and something about the neck shape near the nut just doesn't feel right about this bass. I've played it since 2017, and do most of my own repair/maintenance work. I've put new electronics in it, and refinished the neck, but it still feels clunky in that part of the neck. It's a seriously nice instrument, the sound is great, but I don't like the way it feels in first position. I'm at the point that I just want a bass that feels like "home", and I've always been a J bass guy. The neck shape on paper is supposed to be a classic jazz bass profile, but it feels more like a skinnier P bass than a true J bass to me near to the nut.

Obviously, that has me considering the Will Lee models, and I've heard the neck shape is great. Recently I've played one of the new American Ultra Jazz basses, some Geddy Lee basses, and I honestly walked away from both not really impressed with the necks. I know that they're some of the most loved (especially the Geddy Lee model) Fender shapes out there, when it comes to necks, but they almost felt too small. I have owned two 70's basses with a bit thicker necks, and they both felt great. I realized that the depth of the neck to me was almost more important than the width. Something about modern Fender interpretations really leave behind something of the vintage instruments they were designed from. For all the improvements they try to make, sometimes they forget the little things. Roger and his team really seem to be the team to beat when it comes to refined jazz basses. What I kind of realize is that I still need some substance to the neck in the right places, but I'm looking for something that just feels great to play for long periods of time. Skinny and thin aren't always a better option.

Could any of you give me feedback on your experience with the more standard 4-21 models vs. the Will Lee basses, especially in the first position? I know a lot of bass players play these basses out there who are supportive/side men. I'm just trying to find the right feel now that I'm making a pretty considerable purchase. Another thing to throw out there, is that I actually really like playing with a neck pickup cover on. I know Will Lee himself plays with one too, but if any of you have experience with this, does it feel any more cramped than a 21 fret bass? I think he has his placed a little farther back also to help with this.

Thank you, and sorry for the wordy post!
 
  • Like
Reactions: UmamiBass and R&B
Hey everyone,

I was wondering if you all may be able to help me out? I'm not currently a Sadowsky owner, but plan on making a purchase within the next month or so. I visited the shop on a trip to NYC back in 2016, can't say enough how nice everyone was when I was there, and how they treated me incredibly well! It was my second time to the city, I'm from Ohio so I don't know the city super well, they even made some awesome suggestions for things to check out when I was there, and even helped plan my non-music related activities to make the trip way better than what it would have been had we not stopped in! My brother, who's not even a musician, still talks about going back there and doing another visit with the team, because he was impressed so much by them.

Since then, I've basically kept coming back to the idea that I think a Sadowsky is for me. Not just because of their quality, but because it's nice to also really believe in the people behind a product. They also have a sound that just works! It's taken me a few years to put the funds together, but I think it's time! I'm really stuck between two basses though. I really need a bass soon, and can't wait to have one made or else I totally would! One of the problems is that I can't remember tons about how the instruments felt after a few years.

I'm mainly looking for an ash/maple bass. My current main gigging bass is a Fender Custom Shop Custom Classic 4 string. It's a good instrument, and is no slouch, but the thing that gets me about it is the neck shape, mainly in the first position. I've had a lot of sessions this year sitting down, transcribing music, and doing longer rehearsals, and something about the neck shape near the nut just doesn't feel right about this bass. I've played it since 2017, and do most of my own repair/maintenance work. I've put new electronics in it, and refinished the neck, but it still feels clunky in that part of the neck. It's a seriously nice instrument, the sound is great, but I don't like the way it feels in first position. I'm at the point that I just want a bass that feels like "home", and I've always been a J bass guy. The neck shape on paper is supposed to be a classic jazz bass profile, but it feels more like a skinnier P bass than a true J bass to me near to the nut.

Obviously, that has me considering the Will Lee models, and I've heard the neck shape is great. Recently I've played one of the new American Ultra Jazz basses, some Geddy Lee basses, and I honestly walked away from both not really impressed with the necks. I know that they're some of the most loved (especially the Geddy Lee model) Fender shapes out there, when it comes to necks, but they almost felt too small. I have owned two 70's basses with a bit thicker necks, and they both felt great. I realized that the depth of the neck to me was almost more important than the width. Something about modern Fender interpretations really leave behind something of the vintage instruments they were designed from. For all the improvements they try to make, sometimes they forget the little things. Roger and his team really seem to be the team to beat when it comes to refined jazz basses. What I kind of realize is that I still need some substance to the neck in the right places, but I'm looking for something that just feels great to play for long periods of time. Skinny and thin aren't always a better option.

Could any of you give me feedback on your experience with the more standard 4-21 models vs. the Will Lee basses, especially in the first position? I know a lot of bass players play these basses out there who are supportive/side men. I'm just trying to find the right feel now that I'm making a pretty considerable purchase. Another thing to throw out there, is that I actually really like playing with a neck pickup cover on. I know Will Lee himself plays with one too, but if any of you have experience with this, does it feel any more cramped than a 21 fret bass? I think he has his placed a little farther back also to help with this.

Thank you, and sorry for the wordy post!

I'm of no help when it comes to any of the questions on the 4-string basses, but I do have a NYC Will Lee 5. I also like to have a cover over the neck pickup - mainly as a hand rest for the rare times I slap - and for me, it doesn't feel cramped at all. For finger style, I normally play right over the bridge pickup, so the cover doesn't get in my way at all.
 
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I've had a lot of sessions this year sitting down, transcribing music, and doing longer rehearsals, and something about the neck shape near the nut just doesn't feel right about this bass.

I sold a Custom Classic 4 to partially fund a NYC 4-21. Fender put a 21 fret neck on that bass but did not adjust the pocket for the extra fret. Instead, they bolted a 21 fret neck onto a 20 fret body and pushed the bridge out to compensate. This changes the reach making it feel more like a 35” scale length. I found that after playing it for a decent amount of time, my fretting arm and hand became fatigued. Sadowsky on the other hand designed the pocket to properly fit the extra fret so the reach feels just like a 20 fret Fender. Can’t help with your decision on what to buy but I can relate to and reinforce your feelings on the Fender.

One good thing about Sadowsky is that you can’t go wrong on whatever model you choose.
 
I'm of no help when it comes to any of the questions on the 4-string basses, but I do have a NYC Will Lee 5. I also like to have a cover over the neck pickup - mainly as a hand rest for the rare times I slap - and for me, it doesn't feel cramped at all. For finger style, I normally play right over the bridge pickup, so the cover doesn't get in my way at all.

Plus it looks cool too.

DSC_0245b.jpg
 
I hate basses that have the bridge pushed almost to the end of the body like that. Just makes no sense aesthetically or under my hands.

If it was a 21-fret neck on a 20-fret body, that would mean that the bridge would have to be pushed one fret farther away from the end of the body than normal, not closer...
 

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