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Club Sadowsky!!!

I like flats but since I play exclusively 5 string now, it’s really hard to find a good B string in a flat

B strings can be a challenge overall, and I agree that it's especially true with flats. I've been impressed with TI Jazz Flats, and as noted the Sadowsky Blue Labels. LaBella Low Tension Flats had excellent tonal consistency across all strings, low B included -- the tone wasn't really my thing, but of course that's a subjective call, some really like them.
 
B strings can be a challenge overall, and I agree that it's especially true with flats. I've been impressed with TI Jazz Flats, and as noted the Sadowsky Blue Labels. LaBella Low Tension Flats had excellent tonal consistency across all strings, low B included -- the tone wasn't really my thing, but of course that's a subjective call, some really like them.
Holy cow I just priced these. The Sadowsky 5 string set is crazy expensive. I thought Thomastiks were high
 
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Here in NZ there’s a Japanese made Sadowsky Bass on the auction site. From what I can gather these were not made for particularly long, maybe 18 months(?)What’s the general vibe with these instruments?

They're amazing. I have two, both play incredibly well, take a tight setup (low action, minimal relief) and weigh low 8lb. I've compared to an NYC and the differences are small details, weight being the biggest difference. Build quality is top notch, and the savings vs NYC is large.
 
Few pics of my 50' P Sadowsky - great bass. Alder body, Brazilian rosewood, 3,7kg. Great one, very different than split p.

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Question to those that own a German metroline, is the preamp in your bass TOO sensitive? I just got a new metroline 5 string and the controls are way too responsive, like 100% of the bass freq is in the first 5% of boost, also the VTC and the treble get super bright like within the first 10% of boost, I will be recording a video to show this to Warwick but just wanted to ask if any of you have the same thing happening to you? I have owned about 6 or 7 sadowskys (Japanese and Germans) and I have noticed it more on the last 3 Germans that I have owned
 
Question to those that own a German metroline, is the preamp in your bass TOO sensitive? I just got a new metroline 5 string and the controls are way too responsive, like 100% of the bass freq is in the first 5% of boost, also the VTC and the treble get super bright like within the first 10% of boost, I will be recording a video to show this to Warwick but just wanted to ask if any of you have the same thing happening to you? I have owned about 6 or 7 sadowskys (Japanese and Germans) and I have noticed it more on the last 3 Germans that I have owned
No. But I had an early Metro that was like that.
 
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Question to those that own a German metroline, is the preamp in your bass TOO sensitive? I just got a new metroline 5 string and the controls are way too responsive, like 100% of the bass freq is in the first 5% of boost, also the VTC and the treble get super bright like within the first 10% of boost, I will be recording a video to show this to Warwick but just wanted to ask if any of you have the same thing happening to you? I have owned about 6 or 7 sadowskys (Japanese and Germans) and I have noticed it more on the last 3 Germans that I have owned

This is a modern 5 and my Jazz 5 is the same way so it is happening with dif Type of pickups. I recently sold a single cut but it was not like that other than low output
 
Question to those that own a German metroline, is the preamp in your bass TOO sensitive? I just got a new metroline 5 string and the controls are way too responsive, like 100% of the bass freq is in the first 5% of boost, also the VTC and the treble get super bright like within the first 10% of boost, I will be recording a video to show this to Warwick but just wanted to ask if any of you have the same thing happening to you? I have owned about 6 or 7 sadowskys (Japanese and Germans) and I have noticed it more on the last 3 Germans that I have owned

Neither my German Modern 5er nor my Will Lee 5er behave this way.