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Club Sadowsky!!!

A lot of this can be addressed thru right hand technique.

Chasarms, I know in my case, playing a lot of DB makes my right hand technique a lot ''stronger" than can be ideal for electric.
 
A lot of this can be addressed thru right hand technique.

Chasarms, I know in my case, playing a lot of DB makes my right hand technique a lot ''stronger" than can be ideal for electric.

I am certain you are correct. I know for a fact that I dig harder than I once did. And, I attribute it somewhat to gigging a lot more on the big bass in recent history.

But, given the option of bass swapping or woodshedding, I choose the former! :)
 
With ash/maple there is an artifact on the front of the note, like a pop or ping, some kind of percussive thing, that just isn't there to my ear with a RW board. I don't know exactly what it is, but it bugs me so bad I fight it the whole gig or end up rolling off a lot of the top end and getting buried in the mix. Like I said, it is so obvious to me that I am "afraid" everyone is hearing it. I don't want to play out.

It could be a technique thing because to some degree, I have fought it with every maple FB bass I have ever had.
I think I know what you're talking about, and if so, it's funny, because I actually like that.

Given that, I would actually think EITHER a rosewood OR a morado board would suit you better than maple, so that should open up your choices somewhat, as well.
 
Dang, you guys are making me doubt my NYC ash/maple Sadowsky I ordered...
What commentary do you find alarming? The ash/maple aggressive cut is what gets me through the night... especially when the room sucks and I need that added edge to keep my fingerstyle tone from getting mushed into the mix.
 
Dang, you guys are making me doubt my NYC ash/maple Sadowsky I ordered...

My ash/maple NYC is the best bass I've ever played, no exceptions. I also have an alder/Braz. RW NYC PJ that's extremely nice and has a very different tonal profile, but if I could only keep one bass, it would be the ash/maple WL.

Different strokes for different folks.
 
Haha, no I really don't doubt how great of a bass I'm going to have, but my main bass I have been playing for the past 5 years is a 1966 fender jazz. I'm so used to this bass that I'm afraid the complete wood change will be too drastic. Then again one of the main reasons I opted for an ash/maple NYC is to have that "opposite" end of the tonal spectrum. To me it was kind of like acquiring the flavor of a 1970's fender jazz to complement my '66. Rest assured I'm still extremely excited.
 
Don't do it, man.

Please understand that is whole discussion is roughly equivalent to a bunch of guys sitting around debating the finish of two $500 bottles of wine.

It's not like one sucked.

Yeah, but then you get guys who only drink wine from a box ("Buzz in a box") who'll tell you how stupid you are for drinking that.

Oops, thought this was the "Bought/didn't like" thread.....;):D
 
Haha, no I really don't doubt how great of a bass I'm going to have, but my main bass I have been playing for the past 5 years is a 1966 fender jazz. I'm so used to this bass that I'm afraid the complete wood change will be too drastic. Then again one of the main reasons I opted for an ash/maple NYC is to have that "opposite" end of the tonal spectrum. To me it was kind of like acquiring the flavor of a 1970's fender jazz to complement my '66. Rest assured I'm still extremely excited.
Where are you getting it? If it's a store or from Roger, there's an eval period for concerns like this.
 
Don't do it, man.

Please understand that is whole discussion is roughly equivalent to a bunch of guys sitting around debating the finish of two $500 bottles of wine.

It's not like one sucked.


Very true! I wouldn't give up my ash/mapl Will Lee for the world - it is just a stunning instrument. In fact, all of my Sadowsky's have been ash/maple and I have been very happy.
 

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