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Club Sadowsky!!!

Haha, no I really don't doubt how great of a bass I'm going to have, but my main bass I have been playing for the past 5 years is a 1966 fender jazz. I'm so used to this bass that I'm afraid the complete wood change will be too drastic. Then again one of the main reasons I opted for an ash/maple NYC is to have that "opposite" end of the tonal spectrum. To me it was kind of like acquiring the flavor of a 1970's fender jazz to complement my '66. Rest assured I'm still extremely excited.

I did the same thing - I have a Fender Custom Shop alder/rosewood to cover the "other" tones. They complement each other very well. Different tools for different purposes, and all that ...
 
Haha thanks for the reassurance Vic. I have complete trust in the quality of bass Rogers shop will produce and deliver. 3 more months...
I wasn't referring to product quality. I was referring more to customer service and working with you to make sure you're happy with your choices.
 
Just to further elaborate:

With ash/maple there is an artifact on the front of the note, like a pop or ping, some kind of percussive thing, that just isn't there to my ear with a RW board. I don't know exactly what it is, but it bugs me so bad I fight it the whole gig or end up rolling off a lot of the top end and getting buried in the mix. Like I said, it is so obvious to me that I am "afraid" everyone is hearing it. I don't want to play out.

It could be a technique thing because to some degree, I have fought it with every maple FB bass I have ever had.

I think of that as the ash/maple "growl."
 
There is a used ash/maple WL Metro @ BassCentral.
VERY tempting............just send off my Rosco and get it.......
VERY tempting indeed....

I can vouch for the ash/maple WL thang. :cool:

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