Sascha Erni
Making things go whoomp, whoomp since 1994
Update:
I raised the pickups some. Factory settings were 3.5mm (D, A) / 4mm (G, E), measured from top of the pole pieces to the bottom of the strings, depressed at the last fret. After some experimenting I ended up with 2mm (G-A) / 2.5mm (E) without hitting the pickups or producing those weird flanger-like detuning effects you sometimes get if the strings are too close.
The fully-passive VS4’s output is a LOT hotter now. Like, a lot, really. I’ll measure once I find the volt meter in my mess, but anecdotally – for the same perceived loudness during practice, I had to turn down my amp’s Gain by 2 steps, of 10. Also, my Fuzzes react much quicker than before, as does the Bass Butler’s dirt channel.
My guess is the Sandberg was set up as if it had active electronics, i.e. no separate setup or the like depending on the active / passive option. In short – experimenting with pickup height might be a good idea. There seems to be a lot of leeway in both directions, e.g. to balance out different instruments should you plan to switch during a gig or something. In the factory setup, the pickups weren’t fully drilled in, there was still a millimeter or so to go further down.
Caveats:
- Pickups could be a tad hotter, but then, I haven’t experimented with pickup height yet.
I raised the pickups some. Factory settings were 3.5mm (D, A) / 4mm (G, E), measured from top of the pole pieces to the bottom of the strings, depressed at the last fret. After some experimenting I ended up with 2mm (G-A) / 2.5mm (E) without hitting the pickups or producing those weird flanger-like detuning effects you sometimes get if the strings are too close.
The fully-passive VS4’s output is a LOT hotter now. Like, a lot, really. I’ll measure once I find the volt meter in my mess, but anecdotally – for the same perceived loudness during practice, I had to turn down my amp’s Gain by 2 steps, of 10. Also, my Fuzzes react much quicker than before, as does the Bass Butler’s dirt channel.
My guess is the Sandberg was set up as if it had active electronics, i.e. no separate setup or the like depending on the active / passive option. In short – experimenting with pickup height might be a good idea. There seems to be a lot of leeway in both directions, e.g. to balance out different instruments should you plan to switch during a gig or something. In the factory setup, the pickups weren’t fully drilled in, there was still a millimeter or so to go further down.
