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I have to say, I really love how well the necks are on these. I keep just admiring mine like a true weirdo.
I had the same reaction. Love 99% of the bass, except the pickguard. The neck is a joy.I have to say, I really love how well the necks are on these. I keep just admiring mine like a true weirdo.
I love the pickguard concept but this one lifts up, like the screw holes of the bass were drilled a hair too closeI had the same reaction. Love 99% of the bass, except the pickguard. The neck is a joy.
https://www.sandberg-guitars.de/wp-content/uploads/Hangtag-California-Bass.pdfWhen I encounter the difficulties with just getting a replacement pickguard, here in te USA, it really does make me LOVE my G&L much more. I love Sandbergs, but even just getting support documentation for intonation adjustments is a total PITA.
Well, I guess I am fortunate to have two basses that do play well (G&L L2500 and a VM5). Could be much worse!https://www.sandberg-guitars.de/wp-content/uploads/Hangtag-California-Bass.pdf
Edit: I have a G&L L1000. I put a scratchplate on it.....
Yes! I noticed that too the passive is actually a bit thicker than the active set flat.One thing that I especially like about the electronics package is that when passive mode is engaged, the volume is almost identical to active mode. That tells me that the preamp is not so much boosting and coloring the signal, but simply allowing me to shape the tone
One thing that I especially like about the electronics package is that when passive mode is engaged, the volume is almost identical to active mode. That tells me that the preamp is not so much boosting and coloring the signal, but simply allowing me to shape the tone
You'd buy a g&l over a Sandberg because of the pickguard? Wow. Just wow.When I encounter the difficulties with just getting a replacement pickguard, here in the USA, it really does make me LOVE my G&L much more. I love Sandbergs, but even just getting support documentation for intonation adjustments is a total PITA. I bought my bass through VSN in Canada, but maybe Bass Central will help. I use them for Bergantino and G&L.
Not quite what I meant, but G&L is MUCH better at sharing support information about its guitars and basses. But the inability to just purchase a replacement pickguard is symbolic to me of how much more available and responsive G&L has been.You'd buy a g&l over a Sandberg because of the pickguard? Wow. Just wow.
I don’t mind slow shipping, but the webshop didn’t give the option to list a US shipping address. Not a big deal, but reinforces how much easier G&L is.I am in the midst of deciding on the exact Sandberg 5-stringer I'm getting... which brings me nicely to the topic of pickguards:
Sandberg will RMC their California models with either no upcharge or a modest one (when the finish would call for further labor, e.g. gloss), G&L last I checked would have to be convinced to consider it by a dealer with a pull, like Greg from Rocket Music, and even then it'd be reserved for a custom shop order.
I love my G&L SB-1, it's the only bass I own and I'm quite G.A.S. free when it comes to 4 stringers, but if we had a local dealer for Sandberg back when I ordered it I would've opted for a pickguardless Sandberg VS/VT without thinking twice.
As for replacing a pickguard, it must be my lax standards of shipping times, but it's not like Sandberg (via their webshop) or a European dealer would refuse to mail you a pickguard, it's not exactly a large and heavy package.
Probably true, but remember Sandberg is in Germany.Not quite what I meant, but G&L is MUCH better at sharing support information about its guitars and basses. But the inability to just purchase a replacement pickguard is symbolic to me of how much more available and responsive G&L has been.