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Commodity Basses for Studio

Suppose there is a studio being set up that will be used for a wide audience, from demos by high-school garage bands to the next multi-platinum album by <name your own artist>.

Suppose you are charged with purchasing 4 new commodity basses (nothing custom; no Alembics, Carvins, etc - just run down to a local super store and purchase 4 new off-the-rack mass produced basses).

Suppose again that when the band showed up, they had no gear with them and were required to use what you purchased with no modifications other than the strings you had the music store install (yes, they did a proper tune up after string installation).

1. What 4 new commodity basses would you provide for use to your clients? Be specific and decisive :-)

2. What strings would you put on each?

Let's assume your job of selecting basses for studios depends on customer satisfaction.

Let's have some fun...

(Note: there is no connection between this scenario and my reality.)
 
MIA 60's Precision with TI Rounds
MIA 60's Precision with TI Flats
Music Man Big Al 5 with TI Rounds
MIA 60's Jazz Fretless with TI Flats

If you cant get everything you want tonally from them, well lets just say it say it starts with an F and ends with an ED.
 
Fender P with DR Hi Beams
Fender J with DR Low Riders
If I couldn't find a decent priced Warwick 5 string fretless with fret lines, I'd pick up a Squier 5 string fretless Jazz with DR Sunbeams
Washburn AB40 acoustic/electric bass with Fender Tape wounds.
I could only hope that my choices would suffice for a studio producing such a broad range of music.
 
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Fender P rounds
Fender P flat
Fender J rounds
Active Fender J 5 String Jazz rounds

(Skip on the fretless: My main reason is a fretless takes some time to master. If you took the time to master it, you probably own one. There is nothing more frustrating than watching someone struggle with a fretless to keep it 100% in key while recording. )