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Consistent tone across the strings

Hi guys,
I’m having an issue with the 4th string on my MIJ Jazz Bass.
The open E sounds a bit hollow and “twangy” compared to the other strings.
I’ve attached three clips (neck / bridge / both pickups, tone fully open). Maybe it’s just me, but it feels unbalanced.
The clips were recorded straight into an Audient ID14 (DI input).
Sorry for the sloppy playing.
The bass is a 1985 MIJ with Model J pickups, currently strung with Fender Vintage Nickel 45–100s (about halfway through their life). I also tried Elixir Steel 45–105s, but the E string sounded even hollower — and the effect extended to the other strings as well.
What I’m aiming for is a simple, precise tone with clear fundamentals, not too bright in the highs and consistent across the strings.
What would you suggest?
  • Different strings?
  • Adjusting pickup height?
  • Or could it just be the nature of this particular bass

THanks a lot
 

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Do you have any pics of the bass to see the setup of pickup and maybe a short video of how you are playing? A few factors needed. Just asking.
 
You don’t say whst your rig is. One of the unfortunate truths is that the speakers in bass rigs don’t reproduce the lowest fundamentals of a 4 string bass guitar. That is part of the situation here, perhaps most of it.
 
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He is talking about recording the bass I believe.
I don't know what he is listening to the bass through (headphones, speakers...), but in my headphones, the neck only recording has plenty of fundamental on the E string. The others have less (as they should); I don't hear that tone as "off" in any respect - it's pretty much "middle of the road" for a bass guitar.

If you want less mids and highs (which will let you hear more fundamental), I'd suggest flats. Problems are best solved at their source - in this case, the place where the tone is generated is your fingers and the strings. If you don't want to change your fingers, change your strings.
 
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Thank you all for the advice. There are many interesting aspects to look into. For completeness, I’ll add that I’m listening through nearfield monitors in a control room with acoustic treatment, and also through professional planar headphones. So can you confirm that you’re hearing the issue as well? @brianrost you are not deaf, I’m probably exaggerating the problem, and some good signal processing could fix everything
 
Sounds like a fender Jazz to me, I think they all have this characteristic to some degree. Doesn't mean there's anything wrong with it though, it's just how they sound. Give it a little boost around 40 Hz, angle your bridge pickup so it slants a little closer to the E string, both of those may help. And then listen to it in a mix and you may find it fits in perfectly.
 
I don't know what he is listening to the bass through (headphones, speakers...), but in my headphones, the neck only recording has plenty of fundamental on the E string. The others have less (as they should); I don't hear that tone as "off" in any respect - it's pretty much "middle of the road" for a bass guitar.

If you want less mids and highs (which will let you hear more fundamental), I'd suggest flats. Problems are best solved at their source - in this case, the place where the tone is generated is your fingers and the strings. If you don't want to change your fingers, change your strings.
I have a decent Yamaha computer playback sound system with a subwoofer and a couple of satellite speakers and I'm not hearing the "hollowness" you're referring to. On average, most of your 105 - 45 roundwound string sets are going to have more E string fundamental than on your 100 - 45 set so that might be a direction to explore if you want more fundamental on your E string. The distance the strings are from the pickup pole pieces can have a bearing on the tone with pole pieces closer to the strings yielding more bottom. The DiMarzio Model Js have individually adjustable pole pieces so you have the ability to tweak them individually and very precisely. Lastly, I have a set of Model Js on one of my J-Basses and have found them to be generally deeper sounding than any of my Js with traditional Fender sounding pickups so what you're hearing is slightly baffling to me.
 
He did change his fingers[pick] and the strings; reported same problem
He changed from one set of (probably broken in) rounds to a new set of rounds, and it got "hollower". He doesn't like rounds (especially when new). I suggested flats, which will go the other way sonically - that should move him in the direction he wants to go.