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Conspiracy to Commit Electronics Megathread

That's good to hear about Tayda. I placed my order last weekend for 2 boxes and parts.

Have any Steddi builds been completed, anywhere, yet?

Did @Sushi Box FX make any?
 
That's good to hear about Tayda. I placed my order last weekend for 2 boxes and parts.

Have any Steddi builds been completed, anywhere, yet?

Did @Sushi Box FX make any?
I mean I've built a couple, I always build at least one when I verify the design.
 
Boxes came in today.
 

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Just completed a Particle Accelerator (kit ordered from Musikding in Germany)
Love the fat, warm tone. That thing has a TON of bass on tap, I keep the bass pot below 10 o'clock, beyond that it's in dub reggae territory.

One thing that surprised me: Even with the mids and gain maxed, I can't even get a hint of dirt with my Precision or my Guild Starfire I (Bisonic pickup), both with TI flats- it stays completely clean all the way, just gets slightly compressed. I'm not complaining, I don't actually need overdrive, I just found it surprising. Using a JJ ECC83S tube, BTW.
 
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Just completed a Particle Accelerator (kit ordered from Musikding in Germany)
Love the fat, warm tone. That thing has a TON of bass on tap, I keep the bass pot below 10 o'clock, beyond that it's in dub reggae territory.

One thing that surprised me: Even with the mids and gain maxed, I can't even get a hint of dirt with my Precision or my Guild Starfire I (Bisonic pickup), both with TI flats- it stays completely clean all the way, just gets slightly compressed. I'm not complaining, I don't actually need overdrive, I just found it surprising. Using a JJ ECC83S tube, BTW.
I had a more tame tube in the one I bought (from a member here who built it- my soldering skills are limited to 1/4" jacks and cables lol.) and swapped to the same JJ tube last night. I do get some very mild OD from my LB-100 with chrome flats. More with a pick. But still mild- I JUST remembered seeing a trim pot inside-is that for gain?
 
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Just completed a Particle Accelerator (kit ordered from Musikding in Germany)
Love the fat, warm tone. That thing has a TON of bass on tap, I keep the bass pot below 10 o'clock, beyond that it's in dub reggae territory.

One thing that surprised me: Even with the mids and gain maxed, I can't even get a hint of dirt with my Precision or my Guild Starfire I (Bisonic pickup), both with TI flats- it stays completely clean all the way, just gets slightly compressed. I'm not complaining, I don't actually need overdrive, I just found it surprising. Using a JJ ECC83S tube, BTW.
For a flat tone control the :
Bass should be on 0
Mid should be on 10
Treble should be on 0

Like this setting on TSC:
 
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Yeah, I read about that - though iz seems to me that the treble needs to be turned up to about 2 or 3 for the same tone as the bypassed pedal.
That's why "flat" can be misleading. The above settings show how to get a flat response out of the EQ section, but the tube stages themselves are going to be imparting some tonal character to the signal. So even if the EQ is flat, the signal will have certain frequencies naturally attenuated and others naturally emphasized simply because it's going through a tube. We don't use tubes because they're transparent sounding.
 
A flat tone control is just the baseline where we start and then we fiddle the crap out of the knobs till we like it, it's just nice to know where to start from since many newbies presume flat would be at 12 o'clock just like their stereo.

I wish they were marked properly like 0 to +10, -5 to 0 to +5, -10 to 0 etc, so it would show where flat ( 0 ) is and then boost ( +10 ) or cut ( -10 )
But that's just me cause I can never remember all the pedals I have.
 
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If you want a bit more gain you can improve the losses in the tone stack a lot by changing the Mid pot to 50k, just use the TSC in the previous post and change the mid pot and see what happens. I think it goes from -23 to -12 in the flat setting.
But play with the TSC to see what other changes happen as well.
I have not tried it so mod at your own risk.

The Fender Bassman AA371 is basically the same but uses a 22k resistor for the Mid, there is also a schematic that someone has drawn of the Alembic where the Mid pot is A50k and R10 is a B100k pot called Sweep.
 
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How do you get this graph?
I used the tone stack calculator I posted a link for in Post 552, and I set the sliders for the positions that RomanS described in post 557.
Bass at 9 o'clock is about 2 on a 0-10 scale, Mid maxed is 10 and Treble at 11-12 o'clock works out to be 4-5 on a 0-10 scale.
If you want to change any value in the TSC just press the Edit button and change the value and then press the Apply button to lock it in.
 

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