I"m pretty sure we all do in the eyes of the OPI resemble that remark.Ian Dury had some very perspicacious philosophy on the subject of Blockheads.
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I"m pretty sure we all do in the eyes of the OPI resemble that remark.Ian Dury had some very perspicacious philosophy on the subject of Blockheads.
I"m pretty sure we all do in the eyes of the OP![]()
I'd say the trick might be knowing when we're in the ocean and not the bowl.Could be, but I'll cut him some slack... There was a Doctor Who story I read as a kid (had no TV, got most of my addiction satisfied at a local library).
The Doctor was talking to a Tibetan lama who had said 'imagine the wealth of experience if a goldfish were poured from the bowl into the ocean'. The Doctor amused the lama no end when he said 'Yes, but imagine how much happier the goldfish would be if the ocean could be poured into the bowl'. Can't be done, but I suspect it's an urge every one of us has indulged in at least once... Maybe as well as finding it impossible, we do actually gain something intangible and useful for the effort. Maybe the trick is just recognising the law of diminishing returns so we know when not to push further.
I'd say the trick might be knowing when we're in the ocean and not the bowl.

That's true, but I'd rather continue to create new music instead of jamming to "One Way Out' or play "Mony Mony" so grandma can dance.You are correct. You need the energy and drive of youth to do it.
I’m 57.
My band mates range from 25 to 27
I've been on this forum 12 years now and am on the moderation staff, and I rarely to never see a cover band musician who "feels they must throw shade [on original musicians] whenever possible."
What I do see a lot of is cover band musicians who call out original musicians when they exhibit the arrogance and ignorance of failing to distinguish performance and composition, and who snobbishly post as though only composition counts as "creativity" or "artistry," and therefore think that they deserve to be treated as the superior members of the forum.
What I also see a lot of is what we've already seen a lot of on this thread; that while you can clearly categorize a gig or a music project as an original or cover project, you usually can't categorize musicians that way. Of course there are more gigs playing established music. But an awful lot of us have at least sometimes gotten involved in composition (or playing a bandmate's compositions rather than a published one), and only a few of us have insisted on turning our noses up at playing great music just because we didn't write it ourselves.
roriginal bands cost money, cover bands make money
I have found both rewarding and look down on neither
My experience is : Creation is fun and feels good, but that don't make the result good. Making music that audiences actually like, in a band of clashing tastes, egos, attitudes and abilities, is very hard work. Much harder than I, as a young player, truly appreciated. Being a "good" original band is very hard to objectively self-evaluate.
With covers you get to put 100% of your effort into the craft and practicalities of the gig. Evaluating and achieving "good" is much easier. You can check your work against the source material, you have a precise target to aim for. The audience comes pre-trained to enjoy the songs. There was a time when every huge original act grew form veteran cover acts, I suspect because they had years of focusing on craft before turning to art.
Originals can be very rewarding. It's a great feeling writing a song, anxiously bringing it in and playing it for the band, and then the band liking it, learning it and playing and recording it. That initial spark of a new song idea that is pretty good is maybe the best part of the process.r
I agree with you. I ran a very good originals band for 5 years. It was great, very creative and I learned allot about how rough the music buisness is.
It cost money to operate often with little return and it wore me out. When the band ended I vowed even thou original music is my first love I would only play covers from then on. I felt at least I would be getting paid for my time invested.
I play mainly covers now but one of my two bands sprinkles in a few originals so at least It is still rewarding
I agree. I'm only in my 30s and just joined an original band last year. Things are going well it looks like it's really starting to take off. But this is definitely the last one I'm doing and now is the time to do it. I don't want to be in my 40s 50s just starting out playing to bar staff. Not that there's anything wrong with that if people want to do that then fine. Best of luck to you.Originals are for young people. I’m done with that thankless BS.