EHX is probably the company that could do that. Good to see they have the decency to only joke about it. ;-)
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How do you get 2 bagpipers to play in tune?
Kill one of them.
On the real, I love pipe music - as a child, lived in a Scots/Irish town with several pipe bands.
Sounds like Kearny, NJ! My wife is from there and whenever we go back for a funeral, there’s ALWAYS a piper!
"Under the Milky Way" features a 12-string acoustic guitar melody along with a solo composed with an EBow on a Fender Jazzmaster, and recorded on a Synclavier, leading to a sound reminiscent of bagpipes.[9]
Even the best samples cannot do the pipes justice. There are far too many intricacies that go into the sound, nothing can replicate it. I have to qualify this statement by saying that I play the bagpipes for a large chunk of my living.
Yep, unless you bury it in a mix where it's not a featured voice but more of a texture, same with most wind instruments as well. All the nuance, idiosyncrasies, and "human" sounds and imperfections are really hard to pull off properly. Even if the samples have some of those elements baked in them, when you play them back via a keyboard it's still not gonna feel right.
See Big Country
Kearny, NJ, Indeed! Lived there from first through third grade. There was a funeral parlor on the corner with a big parking lot, and a pipe band would rehearse there - and multiple pipe bands for the holiday parades. Full disclosure - I'm a fan of Bad Haggis, which features Eric Rigler on pipes, and the fabulous Mick Linden on bass...
To all the bagpipe naysayers…
And I say aye to this…
Spitfire Audio -- Albion Solstice Library sampled them very well. There really is not much human-ness in a bagpipe since the pipe is just used to fill the bag with air. You do need an additional articulation or nuance controller besides the keys. It's sampled well. They sampled more complicated instruments than it.
See post #18.My first thoughts too. I can’t recall what equipment they used but shouldn’t be a deep dive to find out. I saw them @ Tennessee Performing Arts Center on their first US Tour. Great show. Tragic end for Stuart Adamson.
The Church did it also, and they also used an ebow and a synth. I saw them live a couple of months ago and when they played this song, they just substituted a distorted guitar instead of the faux pipes.
Well now…I don’t know where that quoted info came from.
But I do know The Church. As in, I really know them. I’ve tagged along to countless shows, Kilbey has been to my house, original guitarist Marty Willson-Piper has been a long term stayover guest, my wife(a harpist)and I have been guests at current drummer Tim Powles’ house in Sydney, both of us have played with Marty on his solo stuff(many albums out there), and she has sat in with the band, plus being on a couple of their albums.
Marty told me that what you hear is an actual bagpipe sample from a keyboard. Whether or not Pete Koppes(the other guitarist at the time)is layered on top is something I’m not sure of, but live(and miming in the video)he is imitating it with an Ebow.
In 2011, we went to Sydney so that she, along with a few others, could be a special auxiliary player in addition to a student orchestra for the band’s 30 year anniversary concert at the famed Opera House, the “Psychedelic Symphony”.
Here is a fly on the wall cell phone video I took at a rehearsal, where you can see what Pete was up to(sort of), although in this case the strings were doing the heavy lifting….
The line-up you just saw does not feature either of the aforementioned guitarists. Marty left the band a couple of years after that concert, and Peter just a few years ago. Their utility player, former Remy Zero member Jeffrey Cain, might be playing those lines on keyboard, with the new guy, Ashley Naylor, piling in on guitar, but back in the day when it was just the four of them, it was just Pete approximating it.
Bagpipe clickbait channels are SO CRINGE.
I'm going to counter this cringe post with real good stuff.
The greatest living competition piper (imo, opinions vary), who I got to study with for a bit as a kid:
And then here's the genius Gordon Duncan who composed a large chunk of the modern reel, hornpipe, and jig repertoire:
Not clickbait or cringe, just people who love their instrument, want to take it into other directions, and free it from the prison of traditionalism, similar to a number of pedal steel players that I listen to who want to utilize the potential of the instrument beyond just country music. After all, this thread was started in part as a response to Bon Scott having whipped out his pipes with AC/DC.
My wife, the harpist, who I mentioned in my previous post, regularly plays in a Celtic/Rock band(they also throw ska, reggae, punk, and Latin into the mix, and are all kitted out with their kilts)with a smaller electric model and amp. The frontman/vocalist/guitarist also plays sax, regular Irish pipes, and yes, bagpipes. Their version of “Shipping Off To Boston” is not unlike that of The Snake Charmer and her friends, very crunchy, a sound almost like the Dropkick Murphys(who also employ bagpipes). In addition, their rendition of “Fields Of Athenry” is moshpit inducing as well, or at least there’s hopping up and down on the dancefloor.
Even in the realm of the demure harp, there are players going beyond the polite, lilting comfort zone; my girl uses delay, chorus, synth, and pitch shift pedals; elsewhere there’s loopers and wah being used, and notables like Deborah Henson-Conant(who played with Steve Vai)and avant-gardist Zeena Parkins have explored distortion.