Considering that my other flat wound strings have been on a different bass for over 20 years now, I'll worry about the next set of strings in another 20 years.And what if things didn't feel fine? You'd have to do some homework he he
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Considering that my other flat wound strings have been on a different bass for over 20 years now, I'll worry about the next set of strings in another 20 years.And what if things didn't feel fine? You'd have to do some homework he he
Try the LaBella 45-105 Deep Talkin’ flats. They feel similar, but they might work better for D Standard than the Low Tension Flats.Just in case someone has done this...I tried tuning my 32" scale acoustic fretless bass to DGCF, but the La Bella 40-100 Low Tension Flats it has on don't like that at all. La Bella produce so many other varieties of bass string - any ideas where I could start in finding strings that feel and work similar to L.T.Fs at EADG, but when tuned DGCF?
The 45 65 085 105 in medium scale DTF set 760FS-M downtuned to DGCF on a 32" would have similar tensions to to the LTF 42 056 and 075 and 100 tuned to EADG on a 34" scale. Bearing in mind the LTF's are round core and DTF set 760FS-M is hex core, so the feeling would be a bit different . But a candidate for sureTry the LaBella 45-105 Deep Talkin’ flats. They feel similar, but they might work better for D Standard than the Low Tension Flats.
That's very likely. I've also done what you said in your previous post (the one you just deleted) in the sense of using a 5 string pack discarding the high string. Thing is these are based on Eb so usually the lowest string (Eb which will be tuned to D) is quite a bit thicker than what I like for D.I just realised LTF not in medium scale so winding lengths of the 42-118 set would be problematic as far as silks and the nut go I guess.
Ahh you caught my deletion he he. I read it and then the penny dropped that no medium scale LTF. But I spose people use the long scales on a 32" bass where the silks don't extend onto the nut and beyond. 37" from ball to start of silk. OP hasn't mentioned the distance of his bass string anchoring to the nut. Perhaps providing it would make choices more apparentThat's very likely. I've also done what you said in your previous post (the one you just deleted) in the sense of using a 5 string pack discarding the high string. Thing is these are based on Eb so usually the lowest string (Eb which will be tuned to D) is quite a bit thicker than what I like for D.
From my personal experience I find .110 to be most suitable in terms of tension and thickness for D, but of course it totally depends on one's own preference. Anything heavier will require more nutwork.
Exactly, I get your point.Ahh you caught my deletion he he. I read it and then the penny dropped that no medium scale LTF. But I spose people use the long scales on a 32" bass where the silks don't extend onto the nut and beyond. 37" from ball to start of silk. OP hasn't mentioned the distance of his bass string anchoring to the nut. Perhaps providing it would make choices more apparent
Or worseExactly, I get your point.
I have a project build short scale and I purposely decided to use a reverse headstock so the winding post of the D string would have the longest distance to the nut. This avoids the problem of not being able to use medium or even longscale strings for the D as you're likely to have the tapered part starting just before the post.
Nope, that's the other way around, when the strings are too short for the scale. And that happens independently of your type of headstock.
OP hasn't mentioned the distance of his bass string anchoring to the nut. Perhaps providing it would make choices more apparent
Lol of course. Wasn't thinking straight.Nope, that's the other way around, when the strings are too short for the scale. And that happens independently of your type of headstock.
I didn't know this group was in TB! I've been doing D std for a couple years and it's been a challenge on basses and guitars. I don't and won't use flats for the sound I'm after. What I have learned for bass is that:
1: Basses with a more solid build take it better. I have to MIJ Sadowskys and I think they are just super rigid, but they aren't the basses I want to be D Std. One is Eb std without issues and with low action. I'm using an MIJ Geddy for D Std and it's more of a challenge.
2: DDT 50-110 seem to be the best option. I have not found a perfect set of strings after trying MANY different sets. Larger E strings rattle, too much mass. Smaller are too floppy.
3: I tone like a classic P tone on a solidly built bass will work with good technique and 105s /108s.
4: A Geddy type tone is the toughest 'cause the treble accentuates the tendency to clank and pick up fret noise/ clacks with rounds. Higher action is needed and the technique becomes a chore.
5: Fretless basses seem to take it relatively easy except sometimes the low string "clacks".
Ideal would be if someone could make 105s or 108s with the same tension at D std that normal strings have in E std. Seems like the drop strings just make them heavier, they vibrate wider and still need higher action. to Anyone with any further tips, I'd appreciate it. Eb standard is alot easier but I record in D std alot.
That's what happens when your neck gets warpedLol of course. Wasn't thinking straight.

Theoretically, you could have a plain strings tuned to D standard with roughly the same gauges and tension as a standard 45-105 set tuned to E but with less of a pulse and you could have a lower action. But the string would be incredibly stiff and less sustain. The compromise is to have wound strings but a thicker core. To have similar gauges, but more stiff, less pulse width = lower action with a bit of a loss in sustain but not as much as a plain string would entailI didn't know this group was in TB! I've been doing D std for a couple years and it's been a challenge on basses and guitars. I don't and won't use flats for the sound I'm after. What I have learned for bass is that:
1: Basses with a more solid build take it better. I have to MIJ Sadowskys and I think they are just super rigid, but they aren't the basses I want to be D Std. One is Eb std without issues and with low action. I'm using an MIJ Geddy for D Std and it's more of a challenge.
2: DDT 50-110 seem to be the best option. I have not found a perfect set of strings after trying MANY different sets. Larger E strings rattle, too much mass. Smaller are too floppy.
3: I tone like a classic P tone on a solidly built bass will work with good technique and 105s /108s.
4: A Geddy type tone is the toughest 'cause the treble accentuates the tendency to clank and pick up fret noise/ clacks with rounds. Higher action is needed and the technique becomes a chore.
5: Fretless basses seem to take it relatively easy except sometimes the low string "clacks".
Ideal would be if someone could make 105s or 108s with the same tension at D std that normal strings have in E std. Seems like the drop strings just make them heavier, they vibrate wider and still need higher action. to Anyone with any further tips, I'd appreciate it. Eb standard is alot easier but I record in D std alot.
He he . That's funnyThat's what happens when your neck gets warped![]()
Be careful not to over-generalize your post.
For example in point 1. Basses with a more solid build take it better....
I happen to have 40+ basses. All of them are in D-standard and I can asure you there are rigid ones and less rigid ones, but I have yet to find that statement even close to true. I also build basses myself so I think I do have some knowledge accumulated.
The perfect set of strings for D-standard (or any tuning for that matter) doesn't exist. It all depends on so many factors, while DDT's may sound perfect on one, they probably sound horrible on another.
The correct setup for your bass is HIGHLY dependent on the strings, playing style and pup's used. And with that I mean every part of the setup, bridge, height, intonation, clearance, nut depth, everything! There's just NO golden rule but trial and error for that.
My bad in a previous post. You right. La Bella do offer a medium scale LTF set 42-100.Thanks all - I'm not with the bass at the moment, but I remember that La Bella Low Tension Flats are exactly the right length in Medium Scale - the silk starts 1/2 to 3/4" past the nut and where the E string thickens up is South of the tuner pin. Tuners are 2 a side on this. I assume their Medium length sets are all the same length.