Probably any other bass but a violin would go unnoticed.
Maybe people actually think it's a violin, not a bass.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Probably any other bass but a violin would go unnoticed.
If you buy the superlight set they're fairly well balanced. That's ECB80, 40-60-75-95....I tend to sub a 55 on the D string but it's not absolutely necessary. I find the 95 E string blends better tonally than a 100.Just got to source them now. None of my local places carry anything but the medium gauge.
Thanks for the clarification. I'm guessing an AGB will be a great sound with Chromes.
Say what? Interesting. I've been wondering about their new "Power Flats" for a while: they used to be groundwounds, and I liked the set I once bought but my acidic sweat killed it in about a year; then I read they changed them into flats proper. So, they're actually Chromes? Coloured ball-ends too? Silk colour?Chrome me in....I put a set of SIT flatwounds and they are D'addarios in a SIT package. Nice strings.
Chrome me in....I put a set of SIT flatwounds and they are D'addarios in a SIT package. Nice strings.
A lot of folks used to say Fender Flats are Chromes because they're made by D'Addario and have colored ball ends. They are not Chromes.
Say what? Interesting. I've been wondering about their new "Power Flats" for a while: they used to be groundwounds, and I liked the set I once bought but my acidic sweat killed it in about a year; then I read they changed them into flats proper. So, they're actually Chromes? Coloured ball-ends too? Silk colour?
I got a set of custom chromes 50/65/85/110...
It was sounding great then I took them to rehearsals and after the second one my E has thudded out big time.
The A sounds nice and the D and G are still bright but was expected.
But the E is boomy and lifeless, is this common?
That's what I'm hoping.Maybe they need to be played in a bit more considering how new they still are?
HELP PLEASE
I got a set of custom chromes 50/65/85/110
I had a parts bass and thought this is what it needed and I was right.
It was sounding great then I took them to rehearsals and after the second one my E has thudded out big time.
The A sounds nice and the D and G are still bright but was expected.
But the E is boomy and lifeless, is this common?
Do I just have to give more time?
They sound awful live now.