This is better than the entire thread, wow I have never seen such a thing! What!!!
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There's been a number of variations on this. I haven't seen one in person but I wonder how they can make this change hundreds of times and keep the height consistent across the full length of all those frets with enough strength to handle a gorilla fisted player pressing on them. Then there's the issue of the lack of fret crowns as they need flat tops to work as a fretless. How much weight does it add? Do truss rod tweaks mess things up?This is better than the entire thread, wow I have never seen such a thing! What!!!
Many many have. The Novatone Switchboard was probably the most successful though not with a lever, and few even know what that is.
No one has mentioned yet what this may do for his own manufacturing process. It’s possible that once he’s got the jigs and fixtures lined up that this may be a major time saver in manufacturing for him, as well as a benefit for fickle minded players.
My primary concern would be what happens to the various bits one ends up not using. Reselling bespoke parts like that seems like it would be much more of a chore, no?
At the moment and for the foreseeable future, I haven’t any plans to mod anything. Demand could be greater depending on the quality and ease of use of the hardware. The easier and quicker it is to change offers a player the ability to do it onstage. Tapped humbuckers are an example. Flip a switch and go back and forth from humbucker to single coil. Brilliant. Now, if all it took was a flip of a switch to go from fuzz to phaser to envelope filter... without there being too many switches or complicated steps, you could be onto something. The P bass is a favorite due to its simplicity. Being on a dark stage with a P bass is much easier than trying to operate a bass with a control panel more intricate than a 747's. Guitarist usually use more effects than bassists do, so they'd logically be the first to get the newest attempt at this.It's an old idea. The Ampeg Dan Armstongs had swappable pickups 55 years ago.
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In the 1970s the Electra brand had instruments with interchangeable effects modules you could plug in, leave your pedalboard at home.
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Each module had two trim pots. The knobs and switches on the instrument did the rest. Yes, they did make a bass, the Outlaw but the LP style guitars are the most common.
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These ideas come back every so often and then fade away due to lack of demand.
Wonderful innovation and for that reason alone I like seeing this. For me, I don’t think I’d find it all that useful though. However, if Devon launched a rental program that would be cool. If you have a bass built, rent the preamps and pickups you want to try and then ship them back when finished. Upon receipt, pay Devon for the components you want to keep. To me, the biggest value is being able to easily test and select the pickups and preamp combos you want before buying.
A highly underrated design change that is not mentioned to much.Instead of changing pickups I think I'd find much more use in simply moving them. Another idea that's been done a lot but looks funny.
I never judge one’s hobbiesI voted “throw carrots at people” because that just really sounds like fun.
Now what were we talking about?
That’s an interesting point. I’m sure on occasion someone gets a custom build it was not exactly what they expected.I think it is, in casesomething does not turn out as the client had hoped it would and does notlike any given component.
People swapping pickups and preamps seems to happen all the time. no?That’s an interesting point. I’m sure on occasion someone gets a custom build it was not exactly what they expected.