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Did my drummer really just do that .....

You are incorrect, and I don't understand the assumption.

I've often been incorrect. My thesis in this case was "We can play louder than our drummer." I made an assumption based on that. My own experience is that winning the volume war is how you lose club business. If this is not the case, just say I reserve the right to be wrong at the top of my lungs. :D
 
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I've often been incorrect. My thesis in this case was "We can play louder than our drummer." I made an assumption based on that. My own experience is that winning the volume war is how you lose club business. If this is not the case, just say I reserve the right to be wrong at the top of my lungs. :D

Well, a quick re-read of my post for comprehension clearly shows I said we "could" have played louder than our drummer, not that we "did" play louder than our drummer. I also went on to imply that we made it a point to play up to the loudness of and match our drummer, but not to exceed his loudness on stage.

I've played literally hundreds of small to medium sized clubs bars and discos. Never lost a gig due to uncontrolled volume. Indeed, I've had many club managers and owners thank us for *not* turning our rigs and mains up so loud the wait staff couldn't hear the customers.

I hope that cleared it up.
 
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I have gotten mildly annoyed trying to get a drummer's attention for some reason mid-tune and he's in the drum-zen-zone or something, eyes half-closed or on the stars above or something, blissfully unaware of the rest of the ensemble.

But I've never reached over and poked one with the head of my bass... seems a pretty childish way to get any player's attention. Better a 1:1 comment after the tune is done.
 
Well, a quick re-read of my post for comprehension clearly shows I said we "could" have played louder than our drummer, not that we "did" play louder than our drummer. I also went on to imply that we made it a point to play up to the loudness of and match our drummer, but not to exceed his loudness on stage.

I've played literally hundreds of small to medium sized clubs bars and discos. Never lost a gig due to uncontrolled volume. Indeed, I've had many club managers and owners thank us for *not* turning our rigs and mains up so loud the wait staff couldn't hear the customers.

I hope that cleared it up.

Completely! Rock on!
 
I'm going to go out on a limb and guess that his ears hurt, it was a friggin' distraction, and he didn't want to wait until the end of the song.

Shouldn't this kind of thing be worked out in rehearsals? And if not, maybe your drummer is right if he knows the changes and the guitarist doesn't.

Personally, if someone is screwing the pooch on stage, I would rather find a subtle way to fix it on stage rather than play through even a single song with dysfunction. It's a lesser of the two evils scenario, as things like changes and volume levels should be worked out beforehand, but playing through dysfunction is not only irritating for the musicians, but potentially tarnishes your presentation for the audience.

I really appreciate this reply, sums up my thoughts before I had them.
 
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I would tell him that the next time he hits me with a stick is the last time we play together. And, he should leave the music to musicians (drummers love when you imply they’re not musicians).