Look at it the other way round. People are paying peanuts to get the crappy low resolution music that the majority of listeners seem to be perfectly happy with.Why do I have to pay so much money to listen to good, uncompressed audio?
This is unfair
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Look at it the other way round. People are paying peanuts to get the crappy low resolution music that the majority of listeners seem to be perfectly happy with.Why do I have to pay so much money to listen to good, uncompressed audio?
This is unfair
Unfair? That the minority has to pay more than the majority for specialization TELL ME IT Isn’t SO!Why do I have to pay so much money to listen to good, uncompressed audio?
This is unfair
Who feels anything in this modern world?For you, technical terms in sound are more important than the sound itself (how many bits, how many kHz, compression rate, etc.)This eventually made the sound more mechanical.It is important how music makes you feel
The Twinkie defense! Nice!Music of any time period is difficult to classify as natural. Instruments are manmade and not naturally occurring, so it could be argued that any music made with instruments is inherently unnatural. This would leave vocal music as possibly being natural. However music is an ordered succession of sounds over time to produce rhythms, melodies, and harmonies. There are a number of scientists who wrestle with the question of whether the concept of time is natural or a subjective human illusion, so “an ordered succession over time” could be argued as an unnatural based on the time requirement. As for rhythm, harmony, and melody, these are patterns selected by humans to be desirable. There are an infinite number of sounds in the natural world that have harmonic relationships and interactions but only a select few are determined by humans to be harmonies for a limited musical definition.
So…
No, music of recent years doesn’t seem natural to me, nor does music from any time period. Music is as natural as a Twinkie.
Most musicians would agree this has been the case for quite some time already! LOLAI musicians are coming, no one will pay you
I was managing record stores when CD's came on the market. The fidelity compared to US pressings on vinyl was miles above vinyl and noticeable to anyone who heard them. Big reason for that was the with the "analog" LP's, the master tape is converted to an engraved master that produces a mother stamper, which produces the stampers that actually press the vinyl ribbon/puck. The more that stamper stamps the more it degrades - wears out. In Europe as well as Japan, the stampers were used for half the time that the stampers in the US were used. The US companies were happy to replace defective albums as long as they got to use the same stamper twice as long as their European and Japanese counterparts. So the analog pressings in the US were just as good as the best found anywhere as long as it was in the first half of the stamper's life cycle. After that, not so much.Often it seems like when people notice the significant tonal superiority of a pre-digital age vinyl LP vs a CD of the same recording the ‘digital sucks’ argument gets over applied.
Jeez man. If you don’t think that vinyl sounds better than early CDs then I’m done. A simple — and BRIEF — post about human quirks and we get a lecture on the consumer music production process? Breathe.I was managing record stores when CD's came on the market. The fidelity compared to US pressings on vinyl was miles above vinyl and noticeable to anyone who heard them. Big reason for that was the with the "analog" LP's, the master tape is converted to an engraved master that produces a mother stamper, which produces the stampers that actually press the vinyl ribbon/puck. The more that stamper stamps the more it degrades - wears out. In Europe as well as Japan, the stampers were used for half the time that the stampers in the US were used. The US companies were happy to replace defective albums as long as they got to use the same stamper twice as long as their European and Japanese counterparts. So the analog pressings in the US were just as good as the best found anywhere as long as it was in the first half of the stamper's life cycle. After that, not so much.
When CD's came out, the CD had just as good fidelity as the master file because it was a file and not an actual physical piece that slowly wore out as it was used. The most amazing thing for most people when CD's came out was that in between songs there was dead silence - no scratching, no rumble, no Sssshk Sssshk sound in between songs, just dead silence. Plus the signal to noise ratio was much higher in the recording itself. Now don't confuse the fidelity of a CD with the fidelity of an mp4. CD fidelity is far above mp4. They are not the same.
Having managed record stores during that transitional period, when you say "the significant tonal superiority of vinyl" all I can think is "WHAT???" Import vs. US pressings, sure - unless you get pressings from the first half of the US stamper. After that the imports definitely have better fidelity. But vs. CD's??? All I can think is, "what have you been smoking?" When the first CD recordings were released, they often came with a disclaimer saying that they were converted from Master Tapes and not to expect as high of fidelity as a digitally mastered file. I have a number of Fleetwood Mac CD's such as Future Games and Bare Trees that have that disclaimer on them. That's why "Digitally Re-mastered" was a real plus early on. You got the best fidelity you could hear.
I've also personally been recorded at professional studios on tape in the early 70's (in Hollywood) and digitally in 2019. (in Seattle) The 2019 digital recordings are much better than the master tapes of the early 1970's which were then turned into vinyl.
What is really natural about taking sound (variations in air pressure that our eras are exquisitely designed to detect) and using magnets to convert to an electrical potential that is run through resistors, capacitors, tubes or transistors to finally run to another magnet to be converted back to sound in a speaker. During that trip, the signal is purposefully manipulated and, every one of those transductions introduces error, so that what goes in is not what comes out. If you record, that electrical signal is converted to organized molecular dipoles of a strip of plastic and stored until converted back to an electrical signal. Nothing in all of that is natural. .The point where your argument is wrong is that before analog devices were invented, music was transmitted through collective memory. There were no recordings, there was live music. Our ears, vocal cords and brains also work analogously. There are no 0s or 1s. Humanity has made analog music for 300,000 years. That's why the 40-year digital revolution is against the nature of humanity.
Does the music of recent years seem natural to you? It doesn't seem natural to me.
Look at it the other way round. People are paying peanuts to get the crappy low resolution music that the majority of listeners seem to be perfectly happy with.
What is really natural about taking sound (variations in air pressure that our eras are exquisitely designed to detect) and using magnets to convert to an electrical potential that is run through resistors, capacitors, tubes or transistors to finally run to another magnet to be converted back to sound in a speaker. During that trip, the signal is purposefully manipulated and, every one of those transductions introduces error, so that what goes in is not what comes out. If you record, that electrical signal is converted to organized molecular dipoles of a strip of plastic and stored until converted back to an electrical signal. Nothing in all of that is natural. .
Analog does not equal natural.
What does Norm Abram have to do with this?Norm!
I'm pretty sure it isn't. I'm neither drunk nor tripping.:::checks calendar:::
Is it 1983 again?
:::checks calendar:::
Is it 1983 again?
The natural thing about analog is that the signal recording is a sine wave, the sound we hear, the song we sing, the instrument we play all emit imperfect sine waves,subtle nuances of the piece can be heard
digital is a square wave.
OK, the digital recording is later converted to a sine wave, but since it is converted to a square wave, its naturalness is reduced or lost.
I don’t think vinyl sounds better than CDs.Jeez man. If you don’t think that vinyl sounds better than early CDs then I’m done. A simple — and BRIEF — post about human quirks and we get a lecture on the consumer music production process? Breathe.
Yep, that's how I like to work too.Kinda how I still do it with my DAW.I like music to sound human. But I’m a bit of a dinosaur about some things despite me being in computer technology for most of my adult work life.
Only real difference is I now have virtually unlimited tracks and the ability to use virtual instruments and studio gear I could never afford to by the physical versions of.