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Dingwall Owners Club

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Nobody is sending cease and desists over chrome tuner finishes, they aren't even made by Dingwall.
They most likely just want to streamline production as much as possible to get through the queue, less options = faster turnaround.
Yes, understandable. One can always procure chrome hipshot tuners afterwards, but not producing chrome bridges is probably good time and effort savings.
 
What is everyone’s experience between using FDVs and a P-tone in the neck position of their bass?

I have the feeling the FDV - neck on my SJ has more top end extension than my Super P, even though according to Dingwall’s diagram the P-tone should have more treble.
 

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What is everyone’s experience between using FDVs and a P-tone in the neck position of their bass?

I have the feeling the FDV - neck on my SJ has more top end extension than my Super P, even though according to Dingwall’s diagram the P-tone should have more treble.

I have 3x FDV now but had a P-Tone in the neck position and I 100% agree

I did keep the ptone because I'm torn between the two
 
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What is everyone’s experience between using FDVs and a P-tone in the neck position of their bass?

I have the feeling the FDV - neck on my SJ has more top end extension than my Super P, even though according to Dingwall’s diagram the P-tone should have more treble.

Interesting. I must say the sharp V shape for the P-tone was not what I expected.

However - doesn't the P-tone refer specifically to the "humbucker soapbar" rather than to the split-P? Could explain the difference (but then they should add the split P to the graphs - and also for parallel wiring!).

It would be nice if they could tell us what actual frequencies these bands are referring to - I'm sure we all have our own interpretation...
 
Interesting. I must say the sharp V shape for the P-tone was not what I expected.

However - doesn't the P-tone refer specifically to the "humbucker soapbar" rather than to the split-P? Could explain the difference (but then they should add the split P to the graphs - and also for parallel wiring!).

It would be nice if they could tell us what actual frequencies these bands are referring to - I'm sure we all have our own interpretation...
Yeah. That’s interesting. To my ears my Super P has more present mids than the SJ, but I guess a lot of factors are in play there.

I’ll do an A/B side by side comparison between both basses in the neat future :)
 
What is everyone’s experience between using FDVs and a P-tone in the neck position of their bass?

I have the feeling the FDV - neck on my SJ has more top end extension than my Super P, even though according to Dingwall’s diagram the P-tone should have more treble.
My experience switching from FDVs to SF2s in my SJ was that those charts are not terribly accurate. The SF2s have a noticeably higher top end extension than the FDVs in my installation, which you would not get from the charts. The upper mids shown on the FDV chart feel right, but beyond that I’ve treated the charts with a degree of skepticism.
 
My experience switching from FDVs to SF2s in my SJ was that those charts are not terribly accurate. The SF2s have a noticeably higher top end extension than the FDVs in my installation, which you would not get from the charts. The upper mids shown on the FDV chart feel right, but beyond that I’ve treated the charts with a degree of skepticism.
Did you switch all three pickups for SFIIs?