You mean lines on the side only, not on the face? Sure, that eliminates the problem.
Side only is my preference, for exactly this reason. I've had issues with inlaid fretlines causing uneven response. And I also like the look of side only.
But I do see why some players like to have full fret lines so they have that guidance all the way across to the highest string. IMO the need for it vanishes pretty quickly with regular practice; I learned pretty quickly that the actual string-to-fingerboard contact point varies quite a bit depending on what part of your finger is being used (tip versus further back on the pad), so the lines are a lot less useful than one might initially think. You quickly find that you really do have to use your ears, not your eyes, to play in tune. Side dots and lines are a good enough rough guide for me to get my fingers in position for my ears to do the fine tuning. I'm not a pro, I don't get to play a whole lot of hours every day or even every week, so I've never really gotten to the point where I can play with complete confidence all over the neck with my eyes closed. I need some visual reference.