I'm sick of charting crappy pop country tunes, so I did some heavy lifting for you.
I recorded a side-by-side pair of tracks. Just my '62 Reissue Jazz into a Visual Volume (purely to act as a buffered splitter), that splits out to the EBS Valve Drive then into an MBox2Pro (converter) and the other split is just straight to the MBox2Pro. No compression, eq or post processing. I set the preamps on the MBox to clip at the same point.
So, it's exactly the same 'performance', just two separate tracks. No fancy di, either - so the REDDI would sound that much better! Valve Drive always set to 'vintage' mode.
Straight bass guitar:
With EBS set to low-mid gain & my favorite eq settings (this is how I pretty much always run it, just a bit of girth and 'hair'):
Pic of eq settings. Adding ever-so-slightly amount of lows and a good bit of treble. Mids cut a little as well.
![]()
And then just the EBS with same eq set to full gain, just to give you an idea of the potential crunch factor. Set to 'vintage' mode (modern mode has more clipping, but sounds... well,... too modern for me!):
Just a starting point, it's a very tonally flexible pedal! This would all sound far better through a real di, too - obviously. Wanted to give you an idea of the pedals' flavor & let you imagine your own recipe!
Digging that a LOT. Man, see? Even when you add just a tube or two, things start to sound more natural. Now imagine that if there was a little power section with an output transformer to push that sound out...maybe a little tiny power tube like a 6v6...I think it would be awesome.
I will admit, however, that there may not be a big market for $800 distortion pedals
Thanks Justin! Really appreciate it!
Last edited by a moderator: